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[N E X T: Soft Dissection ] Figure 4.1 Figure 4.2 Figure 4.3 Figure 4.4 SOFT DISSECTION Rebecca Puchta This text considers LOL History as the basis for a reflection on a culture of dissection 1 that aims not only at a deeper knowledge of human life, but also to develop a method to (as
practical affairs in (business or personal) life. The movement of messages (communications) from one individual to the other is motivated by the practical movement of dealing with life itself and by keeping abreast of the movement of factical life. The digitization of the logos is a special case of the
phatic function is not dependent on speech in this case. According to Nishimura, and I think so too, we are now facing serious confusions at the level of meta-communication. For example, we can’t live alone, but we have to live by sacrificing others to live a better life, or as Fromm pointed out, we
was the god of crossing boundaries (hence his name from ‘herma,’ a boundary marker) especially between Hades and the world of the living, be- tween death and life. The importance of translation in hermeneutics has been described by Hans-Georg Gadamer in his “Truth and Method” (2004) and in his
and a desire to help other people.” 27 With their fictionalized knowledge of life and the world, radio soap operas are an art form that participates in the private lives of its listeners through media technology. It “lives” in the kitchen or living room. The mode of seriality also makes it a
mes- sage theory can become the basis for a complex, non-reductive view of the manifold hierarchies of communication. The postal paradigm conveyed by angeletics should not be misunderstood as an anthropomorphic theory of living beings or even of human beings as merely signal systems. It is just a
private sphere of everyday life, will lead to consequential sensory restructurings: Just as water, gas, and electricity are brought into our houses from far off to satisfy our needs in response to a minimal effort, so we shall be supplied with visual or auditory images, which will appear and disappear
glowing red is part of the archival image that the stream transmits, as is the conversational scene that is now unfolding, initially with no further points of reference [figs. 8/9/10]. A coffee klatch in a non-descript living room: a distinguished elderly gentleman sitting in an armchair, calmly smoking
provoking a state of mind driving him to a decisive act.“ (András Bálint Kovács: Screening Modern- ism: European Art Cinema, 1950-1980, Chicago 2007, S. 254). 28 Von der Weppen: Der Spaziergänger, S. 19. F5538-Glasenapp.indd 78 14.02.13 12:28 79LA NOTTE ODER: ANTONIONIS NIGHT OF THE LIVING DEAD Nur umso
- merkt Peter Brunette ganz in diesem Sinne, „Antonioni expressly foregrounds female subjectivity, emphasizing that the look is being generated by a specifi c fe- male, rather than by the usual male protagonist who motivates plot and action or, more generally, by the abstract, invisible (male) apparatus