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A unique collection of 36 chapters on the history of Chinese medical illustrations, this volume will take the reader on a remarkable journey from the imaging of a classical medicine to instructional manuals for bone-setting, to advertising and comic books of the Yellow Emperor. In putting images, their power and their travels at the centre of the analysis, this volume reveals many new and exciting dimensions to the history of medicine and embodiment, and challenges eurocentric histories. At a broader philosophical level, it challenges historians of science to rethink the epistemologies and materialities of knowledge transmission. There are studies by senior scholars from Asia, Europe and the Americas as well as emerging scholars working at the cutting edge of their fields.

Thanks to generous support of the Wellcome Trust, this volume is available in Open Access.
Author: Jack Hartnell

China, and late sixteenth-century colonial Mexico. But by approaching this trio in the same conceptual space I shall demonstrate how, despite their disparate origins, their comparison can offer something to a discipline inexorably diverging. Positing such images as a point of art historical reconnection

In: Illuminating the Middle Ages
The Didactic Images of the Manichaeans from Sasanian Mesopotamia to Uygur Central Asia and Tang-Ming China
The founder of Manichaeism, Mani (216-274/277 CE), not only wrote down his teachings to prevent their adulteration, but also created a set of paintings—the Book of Pictures—to be used in the context of oral instruction. That pictorial handscroll and its later editions became canonical art for Mani's followers for a millennium afterwards. This richly illustrated study systematically explores the artistic culture of religious instruction of the Manichaeans based on textual and artistic evidence. It discusses the doctrinal themes (soteriology, prophetology, theology, and cosmology) depicted in Mani’s canonical pictures. Moreover, it identifies 10th-century fragments of canonical picture books, as well as select didactic images adapted to other, non-canonical art objects (murals, hanging scrolls, mortuary banners, and illuminated liturgical manuscripts) in Uygur Central Asia and Tang-Ming China.
In: Mani's Pictures
In: The Diez Albums
The five Diez albums in Berlin, acquired by Heinrich Friedrich von Diez in Constantinople around 1789, contain more than 400 figurative paintings, drawings, fragments, and calligraphic works originating for the most part from Ilkhanid, Jalayirid, and Timurid workshops. Gonnella, Weis and Rauch unite in this volume 21 essays that analyse their relation to their “parent” albums at the Topkapı Palace or examine specific works by reflecting upon their role in the larger history of book art in Iran. Other essays cover aspects such as the European and Chinese influence on Persianate art, aspects related to material and social culture, and the Ottoman interest in Persianate albums. This book marks an important contribution to the understanding of the development of illustrative imagery in the Persianate world and its later perception.

Contributors are: Serpil Bağcı, Barbara Brend, Massumeh Farhad, Julia Gonnella, Claus-Peter Haase, Oliver Hahn, Robert Hillenbrand, Yuka Kadoi, Charles Melville, Gülru Necipoğlu, Bernard O'Kane, Filiz Ҫakır Phillip, Yves Porter, Julian Raby, Christoph Rauch, Simon Rettig, David J. Roxburgh, Karin Rührdanz, Zeren Tanındı, Lâle Uluç, Ching-Ling Wang, and Friederike Weis.
In: Imagining Chinese Medicine
In: Imagining Chinese Medicine
Online Reference Tool for the History of Culture
http://arkyves.org/
Arkyves is both a unique database of images and texts and a meeting place for everyone who wants to study imagery and publish about it. All visual and textual sources are made accessible with the help of the multilingual vocabulary for cultural content of the Iconclass system. By using this system it has been made possible to find and retrieve images and texts from various sources on a specific topic.
By using Arkyves it is currently possible to access almost 900.000 images, texts, etc. from libraries and museums in many countries among them the Rijksmuseum in Amsterdam, the Netherlands Institute for Art History (RKD), the Herzog August Bibliothek in Wolfenbüttel, and the university libraries of Milan, Utrecht and Glasgow . More collections will follow in the near future. The database contains a link to the images which are available in open access.
Arkyves is both a research tool for art historians and book historians, as well as a tool to facilitate the process of describing images.

Some of Arkyves’ features:
• Completely rewritten front-end: responsive design in a modern web application.
• New user interface: clear and easy to use, centered around pre-selected themes.
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• For partners: possibility to create dedicated Iconclass retrieval browsers, for easy inclusion in their website.
• Arkyves is now open as a platform to assist institutions and individual researchers to catalogue and publish their own datasets of images in hybrid Open Access.
• Updated back-end search, based on industry-leading ElasticSearch.


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