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.1 The discipline of what we are calling Spirituality Studies has been undergoing sea change in recent years. Once considered incompatible with academic inquiry, it has in the past 10-15 years proliferated in terms of institutional homes, theoretical conceptualizations, methodological

In: Understanding New Perspectives of Spirituality

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In: Spectrums and Spaces of Writing

‘second- tier’ fashion cities are eager to create.12 3. Fashioning Methodologies: Building an Identity With the major fashion cities drawing ever more designers, retailers and journalists from emergent fashion markets, it is surprising that more than four hundred fashion weeks, have been

In: Fashion: Tyranny and Revelation

values about feminine beauty.8 2. Methodology These interviews followed a semi-directed approach that addressed common topics of discussion in both countries.9 Interview questions contrasted inter- generational and inter-cultural perspectives to account for women’s changing perception in

In: Beauty: Exploring Critical Perspectives

the US) see other minorities of disadvantaged status (e.g. Black-Latino relations) (Craig & Richeson, 2012; Cummings & Lambert, 1997; Gay, 2006). The second limitation is methodological. In view of the long-held expertise in laboratory experiments in social psychology, reviews of studies of prejudice

In: Research in the Social Scientific Study of Religion, Volume 31

. “ The Ethical Treatment of Artificially Conscious Robots .” International Journal of Social Robotics 1 ( 3 ): 209 – 216 . 10.1007/s12369-009-0022-6 Mackie , John L. 1977 . Ethics: Inventing Right and Wrong . London : Harmondsworth . McMahan , Jeff . 2002

In: Smart Technologies and Fundamental Rights
For decades postwar Austrian literature has been measured against and moulded into a series of generic categories and grand cultural narratives, from nostalgic ‘restoration’ literature of the 1950s through the socially critical ‘anti-Heimat’ novel to recent literary reckonings with Austria’s Nazi past. Peering through the lens of film adaptation, this book rattles the generic shackles imposed by literary history and provides an entirely new critical perspective on Austrian literature. Its original methodological approach challenges the primacy of written sources in existing scholarship and uses the distortions generated by the shift in medium as a productive starting point for literary analysis. Five case studies approach canonical texts in post-war Austrian literature by Gerhard Fritsch, Franz Innerhofer, Gerhard Roth, Elfriede Jelinek, and Robert Schindel, through close readings of their cinematic adaptations, concentrating on key areas of narratological concern: plot, narrative perspective, authorship, and post-modern ontologies. Setting the texts within the historical, cultural and political discourses that define the ‘Alpine Republic’, this study investigates fundamental aspects of Austrian national identity, such as its Habsburg and National Socialist legacies.
An Examination of Its Cultural Relation and Heteroglossia
This book attempts to investigate two strands in a single work: ‘apocalyptic Paul’ and ‘intertextuality’. First, what does ‘apocalyptic Paul’ mean? Is it synonymous to eschatology as a theological notion, or the end-time mystery? Many seminal works have delved into the intriguing yet unorganized notion of the ‘apocalyptic’. Instead of attempting to provide a universal definition of the ‘apocalyptic’, the author presents his understanding of the phenomenon, particularly in the cultural realm. The author contends that ‘apocalyptic’ is neither all about the end-time event nor merely a literary genre, but an interpretive lens to understand the world and social phenomena—one that is shaped and developed through culture and society. Accordingly, the term ‘apocalyptic Paul’ implies how Paul views and understands the world, history, and supernatural phenomena through interaction with his cultural texts and context. Second, the author also suggests that ‘intertextuality’ is not only about comparative literature study. Rather, intertextuality refers to cultural semiotics: a sign system to deliver the meaning of text. Based on this notion of intertextuality, the author interprets how Paul envisages multiple phenomena (heavenly ascent, resurrection, afterlife, the origins of sin, and two ages) within his cultural context.
Medieval Archaeology in the Soviet Republic of Moldova: Between State Propaganda and Scholarly Endeavor
In The Slavic Dossier, Iurie Stamati’s objective is to understand the reasons for the emergence of two different discourses on the place of the Slavs on the territory of Moldova and their role in the genesis of Moldovans and their culture during the medieval period in the Soviet archaeology. His analysis goes beyond the utilitarian perception of Soviet archeology. To achieve this, Stamati not only questions the political contexts in which these discourses emerged, but also looks at the history of the Moldovan archaeological field, personal profiles of archaeologists, their theoretical and ideological attachment, relationships and interactions with each other inside and outside the archaeological field.

reduced to evil to the latter and have defined it as a lapse or mental illness, 91 and also that we continue to stigmatize those who are truly mentally ill with a taint of evil. However, to explore the Joker specifically in terms of madness and evil, we do need to question what methodology to use so as

In: The Sign of the Joker: The Clown Prince of Crime as a Sign