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Series:

Julian Meyrick

performative expression? Is it a dig at authority’s inability to tame a world it believes it can manipulate with its categorical logic? Brack’s later paintings are divided between hope and despair, between belief that growth and development are possible and a sense that humanity just goes round and round. The

Series:

Julian Meyrick

-up practitioners who would otherwise have to go abroad to learn their craft. McGuire and Kardoss echoed Aldous’s belief that there is one kind of theatre, expressed in commercial production, whose practices were the necessary, if not sufficient, guarantee of the sector’s operation and worth. Rees, while having

Series:

Julian Meyrick

social transformation (‘the personal is political’). Garry Wotherspoon describes the factors informing the new gay identity: First, there was a belief in the absolute validity of one’s sexual orientation. This … implied an outright rejection of social definitions of homosexuality as an illness, a crime

Series:

Julian Meyrick

Brian Sweeney, explained was, … to increase an understanding of the position that has been reached by the larger non-profit companies in statistical terms. [The report] is offered in the belief that it can and will be used constructively both within and outside the profession, to encourage an even more

Series:

Julian Meyrick

early 1994 came a final gush of resignations: Alan Dredge, Mario Agostinoni, Suzanne Chaundy, and the company’s last administrator, Chris Dupé. This was the cost of ant ’s signal failure to adapt to changed circumstances, and of Mignon’s belief in his own infallibility that made sense a decade before

Series:

Julian Meyrick

the government belief that a particular kind of small theatre was no longer viable in a reduced funding scenario. This presumption preceded the chronic problems of its final years and, if it did not determine events, it decisively shaped them. No other explanation for ant ’s 1989 loss of funding is

Textiles from the Sea of Islands

Sacred Heart Nuns and Craft Advisers in Papua New Guinea and Australia

Series:

Diana Wood Conroy

convictions about modernity that held that an enlightened universality was at the heart of the human condition. Members of both religious and artistic groups had a passionate belief that an individual should reach his or her capacity in exploring possibilities through education, and thereby advance a whole

Series:

Julian Meyrick

” (quoted Johanson 2000 : 51). Keynes, the renovator of modern economics, was also the Chairman of the uk ’s new Arts Council. Those who followed in his intellectual footsteps were aware this was not coincidence, the expression of a purely private interest, but stemmed from Keynes’ belief that art played

Series:

Julian Meyrick

for economic resources. The immediate one is for legitimation. If Bourdieu does not share with economistic Marxism a belief in the base/superstructure divide, he certainly skirts with a ‘false consciousness’ view of cultural forms. The struggle for resources and legitimation, both means and end