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Ekphrasis in Literature and Film
Author:
This innovative interdisciplinary study compares the uses of painting in literary texts and films. In developing a framework of four types of ekphrasis, the author argues for the expansion of the concept of ekphrasis by demonstrating its applicability as interpretive tool to films about the visual arts and artists. Analyzing selected works of art by Goya, Rembrandt, and Vermeer and their ekphrastic treatment in various texts and films, this book examines how the medium of ekphrasis affects the representation of the visual arts in order to show what the differences imply about issues such as gender roles and the function of art for the construction of a personal or social identity. Because of its highly cross-disciplinary nature, this book is of interest not only to scholars of literature and aesthetics, but also for scholars of film studies. By providing an innovative approach to discussing non-documentary films about artists, the author shows that ekphrasis is a useful tool for exploring both aesthetic concerns and ideological issues in film. This study also addresses art historians as it deals with the reception of major artists in European literature and film throughout the 20th century.
Ekphrasis in Literature and Film
Author:
This innovative interdisciplinary study compares the uses of painting in literary texts and films. In developing a framework of four types of ekphrasis, the author argues for the expansion of the concept of ekphrasis by demonstrating its applicability as interpretive tool to films about the visual arts and artists. Analyzing selected works of art by Goya, Rembrandt, and Vermeer and their ekphrastic treatment in various texts and films, this book examines how the medium of ekphrasis affects the representation of the visual arts in order to show what the differences imply about issues such as gender roles and the function of art for the construction of a personal or social identity. Because of its highly cross-disciplinary nature, this book is of interest not only to scholars of literature and aesthetics, but also for scholars of film studies. By providing an innovative approach to discussing non-documentary films about artists, the author shows that ekphrasis is a useful tool for exploring both aesthetic concerns and ideological issues in film. This study also addresses art historians as it deals with the reception of major artists in European literature and film throughout the 20th century.
Cyberpunk at the Intersection of the Postmodern and Science Fiction
Series:
Postmodern Studies, Volume: 34
Author:
Virtual Geographies is the first detailed study to offer a working definition of cyberpunk within the postmodern force field. Cyberpunk emerges as a new generic cluster within science fiction, one that has spawned many offspring in such domains as film, music, and feminism. Its central features are its adherence to a version of virtual space and a deconstructivist, punk attitude towards (high) culture, modernity, the human body and technology, from computers to prosthetics. The main proponents of cyberpunk are analyzed in depth along with the virtual landscapes they have created - William Gibson’s Cyberspace, Pat Cadigan’s Mindscapes and Neal Stephenson’s Metaverse. Virtual reality is examined closely in all its aspects, from the characteristic narrative constructions employed to the esthetic implications of the ‘virtual sublime’ and its postmodern potential as a discursive mode. With its interdisciplinary approach Virtual Geographies opens up fresh perspectives for scholars interested in the interaction between popular culture and mainstream literature. At the same time, the science fiction fan will be taken beyond the conventional boundaries of the genre into such revitalizing domains as postmodern architecture and literature, and into cutting-edge aspects of science and social thought.
Cyberpunk at the Intersection of the Postmodern and Science Fiction
Series:
Postmodern Studies, Volume: 34
Author:
Virtual Geographies is the first detailed study to offer a working definition of cyberpunk within the postmodern force field. Cyberpunk emerges as a new generic cluster within science fiction, one that has spawned many offspring in such domains as film, music, and feminism. Its central features are its adherence to a version of virtual space and a deconstructivist, punk attitude towards (high) culture, modernity, the human body and technology, from computers to prosthetics. The main proponents of cyberpunk are analyzed in depth along with the virtual landscapes they have created - William Gibson’s Cyberspace, Pat Cadigan’s Mindscapes and Neal Stephenson’s Metaverse. Virtual reality is examined closely in all its aspects, from the characteristic narrative constructions employed to the esthetic implications of the ‘virtual sublime’ and its postmodern potential as a discursive mode. With its interdisciplinary approach Virtual Geographies opens up fresh perspectives for scholars interested in the interaction between popular culture and mainstream literature. At the same time, the science fiction fan will be taken beyond the conventional boundaries of the genre into such revitalizing domains as postmodern architecture and literature, and into cutting-edge aspects of science and social thought.
The EU Party Democracy and the Challenge of National Populism
This volume aims to provide consolidated analyses of the 2019 European elections and explanations about the future of the European party system, in a context in which the EU has to face many challenges, including the erosion of electoral support for mainstream parties and the increasing success of populist parties. The structure of the book is designed to combine the overall view on the role of elections in shaping the future European project with relevant case studies.
The reader is given a perspective not only on the results of the European Parliament elections as such, but also on how these results are related to national trends which pre-exist and what kind of collateral effects on the quality of democracy they could have.
Contributors include: Jan Bíba, Sorin Bocancea, Dóra Bókay, Radu Carp, József Dúró, Tomáš Dvořák, Alexandra Alina Iancu, Ruxandra Ivan, Petra Jankovská, Małgorzata Madej, Cristina Matiuța, Sergiu Mișcoiu, Valentin Naumescu, Gianluca Piccolino, Leonardo Puleo, Alexandru Radu, Mihai Sebe, Sorina Soare, Tobias Spöri, Jeremias Stadlmair, Martin Štefek, Piotr Sula, and Jaroslav Ušiak.
The reader is given a perspective not only on the results of the European Parliament elections as such, but also on how these results are related to national trends which pre-exist and what kind of collateral effects on the quality of democracy they could have.
Contributors include: Jan Bíba, Sorin Bocancea, Dóra Bókay, Radu Carp, József Dúró, Tomáš Dvořák, Alexandra Alina Iancu, Ruxandra Ivan, Petra Jankovská, Małgorzata Madej, Cristina Matiuța, Sergiu Mișcoiu, Valentin Naumescu, Gianluca Piccolino, Leonardo Puleo, Alexandru Radu, Mihai Sebe, Sorina Soare, Tobias Spöri, Jeremias Stadlmair, Martin Štefek, Piotr Sula, and Jaroslav Ušiak.
The EU Party Democracy and the Challenge of National Populism
This volume aims to provide consolidated analyses of the 2019 European elections and explanations about the future of the European party system, in a context in which the EU has to face many challenges, including the erosion of electoral support for mainstream parties and the increasing success of populist parties. The structure of the book is designed to combine the overall view on the role of elections in shaping the future European project with relevant case studies.
The reader is given a perspective not only on the results of the European Parliament elections as such, but also on how these results are related to national trends which pre-exist and what kind of collateral effects on the quality of democracy they could have.
Contributors include: Jan Bíba, Sorin Bocancea, Dóra Bókay, Radu Carp, József Dúró, Tomáš Dvořák, Alexandra Alina Iancu, Ruxandra Ivan, Petra Jankovská, Małgorzata Madej, Cristina Matiuța, Sergiu Mișcoiu, Valentin Naumescu, Gianluca Piccolino, Leonardo Puleo, Alexandru Radu, Mihai Sebe, Sorina Soare, Tobias Spöri, Jeremias Stadlmair, Martin Štefek, Piotr Sula, and Jaroslav Ušiak.
The reader is given a perspective not only on the results of the European Parliament elections as such, but also on how these results are related to national trends which pre-exist and what kind of collateral effects on the quality of democracy they could have.
Contributors include: Jan Bíba, Sorin Bocancea, Dóra Bókay, Radu Carp, József Dúró, Tomáš Dvořák, Alexandra Alina Iancu, Ruxandra Ivan, Petra Jankovská, Małgorzata Madej, Cristina Matiuța, Sergiu Mișcoiu, Valentin Naumescu, Gianluca Piccolino, Leonardo Puleo, Alexandru Radu, Mihai Sebe, Sorina Soare, Tobias Spöri, Jeremias Stadlmair, Martin Štefek, Piotr Sula, and Jaroslav Ušiak.