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A unique collection of 36 chapters on the history of Chinese medical illustrations, this volume will take the reader on a remarkable journey from the imaging of a classical medicine to instructional manuals for bone-setting, to advertising and comic books of the Yellow Emperor. In putting images, their power and their travels at the centre of the analysis, this volume reveals many new and exciting dimensions to the history of medicine and embodiment, and challenges eurocentric histories. At a broader philosophical level, it challenges historians of science to rethink the epistemologies and materialities of knowledge transmission. There are studies by senior scholars from Asia, Europe and the Americas as well as emerging scholars working at the cutting edge of their fields.

Thanks to generous support of the Wellcome Trust, this volume is available in Open Access.
The Didactic Images of the Manichaeans from Sasanian Mesopotamia to Uygur Central Asia and Tang-Ming China
The founder of Manichaeism, Mani (216-274/277 CE), not only wrote down his teachings to prevent their adulteration, but also created a set of paintings—the Book of Pictures—to be used in the context of oral instruction. That pictorial handscroll and its later editions became canonical art for Mani's followers for a millennium afterwards. This richly illustrated study systematically explores the artistic culture of religious instruction of the Manichaeans based on textual and artistic evidence. It discusses the doctrinal themes (soteriology, prophetology, theology, and cosmology) depicted in Mani’s canonical pictures. Moreover, it identifies 10th-century fragments of canonical picture books, as well as select didactic images adapted to other, non-canonical art objects (murals, hanging scrolls, mortuary banners, and illuminated liturgical manuscripts) in Uygur Central Asia and Tang-Ming China.
The five Diez albums in Berlin, acquired by Heinrich Friedrich von Diez in Constantinople around 1789, contain more than 400 figurative paintings, drawings, fragments, and calligraphic works originating for the most part from Ilkhanid, Jalayirid, and Timurid workshops. Gonnella, Weis and Rauch unite in this volume 21 essays that analyse their relation to their “parent” albums at the Topkapı Palace or examine specific works by reflecting upon their role in the larger history of book art in Iran. Other essays cover aspects such as the European and Chinese influence on Persianate art, aspects related to material and social culture, and the Ottoman interest in Persianate albums. This book marks an important contribution to the understanding of the development of illustrative imagery in the Persianate world and its later perception.

Contributors are: Serpil Bağcı, Barbara Brend, Massumeh Farhad, Julia Gonnella, Claus-Peter Haase, Oliver Hahn, Robert Hillenbrand, Yuka Kadoi, Charles Melville, Gülru Necipoğlu, Bernard O'Kane, Filiz Ҫakır Phillip, Yves Porter, Julian Raby, Christoph Rauch, Simon Rettig, David J. Roxburgh, Karin Rührdanz, Zeren Tanındı, Lâle Uluç, Ching-Ling Wang, and Friederike Weis.
Online Reference Tool for the History of Culture
http://arkyves.org/
Arkyves is both a unique database of images and texts and a meeting place for everyone who wants to study imagery and publish about it. All visual and textual sources are made accessible with the help of the multilingual vocabulary for cultural content of the Iconclass system. By using this system it has been made possible to find and retrieve images and texts from various sources on a specific topic.
By using Arkyves it is currently possible to access almost 900.000 images, texts, etc. from libraries and museums in many countries among them the Rijksmuseum in Amsterdam, the Netherlands Institute for Art History (RKD), the Herzog August Bibliothek in Wolfenbüttel, and the university libraries of Milan, Utrecht and Glasgow . More collections will follow in the near future. The database contains a link to the images which are available in open access.
Arkyves is both a research tool for art historians and book historians, as well as a tool to facilitate the process of describing images.

Some of Arkyves’ features:
• Completely rewritten front-end: responsive design in a modern web application.
• New user interface: clear and easy to use, centered around pre-selected themes.
• Iconclass controlled vocabulary for improved powerful retrieval options.
• Iconclass searches currently possible in 9 different languages (English, Dutch, French, German, Finnish, Polish, Portuguese, Italian, Chinese)
• For partners: possibility to create dedicated Iconclass retrieval browsers, for easy inclusion in their website.
• Arkyves is now open as a platform to assist institutions and individual researchers to catalogue and publish their own datasets of images in hybrid Open Access.
• Updated back-end search, based on industry-leading ElasticSearch.


Partner Institutions:
Bayerische Staatsbibliothek; Biblia Sacra project; Bibliothèques Virtuelles Humanistes; Byvanck Illuminated Manuscript project; Cardiff University; Deutsches Hygiene-Museum, Dresden; Folger Shakespeare Library, Washington; Getty Research Institute & Provenance Index; Glasgow University Library; Herzog August Bibliothek Wolfenbüttel; Koninklijke Bibliotheek, The Hague; The Leiden Collection, New York; Museum Meermanno; RKD, Netherlands Institute for Art History; Rijksmuseum, Amsterdam; Anton Ulrich Museum, Braunschweig; University Library, Amsterdam; University Library, Utrecht; University of Milan, Marengo; University of Illinois, Urbana-Champaign



To enquire about this product, or arrange a free 30-day institutional trial, please contact our Sales Department at sales-nl@brill.com (outside the Americas) or sales-us@brill.com (the Americas).

1) Arkyves demo: Product information Information about 'Arkyves, Reference Tool for the History of Culture': what is it, how can you use it, the different tools, future developments, and more. Watch it here
2) Arkyves demo: Searching for content in Arkyves Examples of the different kinds of search possibilities in Arkyves. Watch it here
Tributes to Prof. John Lowden from his Students, Friends and Colleagues
The twenty-eight essays in this collection showcase cutting-edge research in manuscript studies, encompassing material from late antiquity to the Renaissance. The volume celebrates the exceptional contribution of John Lowden to the study of medieval books. The authors explore some of the themes and questions raised in John’s work, tackling issues of meaning, making, patronage, the book as an object, relationships between text and image, and the transmission of ideas. They combine John’s commitment to the close scrutiny of manuscripts with an interrogation of what the books meant in their own time and what they mean to us now.
A Worldwide Descriptive Census, Ownership, and Annotations of the 1543 and 1555 Editions
Additional background information

This book provides bibliographic information, ownership records, a detailed worldwide census and a description of the handwritten annotations for all the surviving copies of the 1543 and 1555 editions of Vesalius’ De humani corporis fabrica. It also offers a groundbreaking historical analysis of how the Fabrica traveled across the globe, and how readers studied, annotated and critiqued its contents from 1543 to 2017. The Fabrica of Andreas Vesalius sheds a fresh light on the book’s vibrant reception history and documents how physicians, artists, theologians and collectors filled its pages with copious annotations. It also offers a novel interpretation of how an early anatomical textbook became one of the most coveted rare books for collectors in the 21st century.