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Aleksandr A. Pertsev, Yekaterina S. Cherepanova and Yekaterina A. Batyuta

organization which was involved in attempting a coup d’état (followed by the establishment of the notorious GKChP – State Committee on the State of Emergency), the entire “Marxist-Leninist” worldview, based on dialectical materialist philosophy and scientific communism, was banned. However, the philosophy of

Milan Orlić

, yet critically laughs at everything – is represented as the beginning of the end of Communism. The plot of the novel begins with the accidental death of Jose Ramon Espeso, who was a Communist sympathiser and thus was held in prison several times by Franco’s regime. Arranging for Espeso to be

Sanna Turoma and Kaarina Aitamurto

April, 2014 : http://www.novayagazeta.ru/columns/63084.html (Accessed June 15, 2016). Fagan G. , Believing in Russia—Religious Policy after Communism ( London : Routledge , 2013 ). Franklin S. and Widdis E. , ‘ All the Russias…?’ in National Identity in Russian Culture , eds

Ulrike Zitzlsperger

past and the history of communism. Over four decades this reflects an attempt to construct the country’s collective memory. Olsen concludes with a survey of the situation after 1990 when, as he terms it, memories were, in a new political situation, ‘retailored’. Dietmar Osses and Katarzyna

The War in Chechnya in Russian Cinematographic Representations

Biopolitical Patriotism in “Unsovereign” Times

Andrey Makarychev

://www.radicalphilosophy.com/reviews/individual-reviews/whats-left-of-biopolitics . (Accessed 20 April 2016.). 23 Jabri 2006 , 830. 24 O. Riabov and T. Riabova, “The remasculinization of Russia? Gender, nationalism, and the legitimation of power under Vladimir Putin”, Problems of Post-Communism 61(2) ( 2014 ): 23–35. 25 Singer and Weir, 445–446. 26 J. Oksala

Richard McClelland

collapse of Communism. In doing so, the contributing authors question the make-up of the discipline by investigating how this writing relates to German literature as a whole. Contributions include: Deborah van den Brande, ‘ “Aber dort leben, wo andere sind wie ich, das möchte ich gern.” Russian

Slobodanka Vladiv-Glover

’s Enthusiasm: Symphony of the Donbas deconstructs the march of history towards Communism by representing the march in circular motion: a toy train, carrying Proletarian ‘objects’ (things) towards a Five-Year-Plan, but the train is a maquette which goes around in circles. The very genre of the “symphony” as

Tal Hever-Chybowski

. Jewish philologists of Yiddish who dealt with this problem at the time were greatly influenced by ideologies such as Zionism, Diasporism, Socialism and Soviet Communism, 4 which were not always mutually exclusive. Whether they criticized or defended Yiddish, they all saw it as a crucial instrument for

Susan Ikonen

depicted the October Revolution, the people who conducted it, and the entire project of building Communism in the ussr in a slanderous manner ( klevetnicheski ), which was now “hoisted as armour by the bourgeois press and taken as armament by the international reactionary forces”. According to Soviet

Nataša Kampmark

peasant or the common man, a keenly felt pining for the (mother) country, a compassion for those who continued to live in Serbia under the yoke of communism and an emphatic anti-communist sentiment. These writers were looking towards a future free of the communist regime in Serbia and most sincerely hoped