Search Results

You are looking at 1 - 10 of 118 items for :

  • All: Living a Motivated Life x
  • North America x
Clear All

to her right as she holds an ink brush above a scroll. Another woman behind her, elegantly styled in a pink and purple kimono, leans over to grip the arms of a small boy learning to walk. While the painting could initially be mistaken for a historic depiction of family life in Asia, a closer look

In: Asian Diasporic Visual Cultures and the Americas
Author: Andil Gosine

self during the crossing which is symbolic of a deconstruction which leads to a reconstruction.” 16 Human-Animals/Animal-Humans The determined equation of human life, not only in terms of its “value” but its capability of violence and destructive harm, is further underlined in Notebook of No

In: Asian Diasporic Visual Cultures and the Americas
Author: Wazhmah Osman

contemporary world, weapons are deployed in the interest of maximum destruction of persons and the creation of death-worlds , new and unique forms of social existence in which vast populations are subjected to conditions of life conferring upon them the status of living dead. ” 8 Subjecting people to

In: Asian Diasporic Visual Cultures and the Americas
Author: Susette Min

search of a new life. More than 46,000 individuals have died since 2000, and more than 40 million internally displaced people ( idp ) have been detained and interned in camps all over the world, some for committing only the offence of crossing—or trying to cross—a border without papers. 1 The

Full Access
In: Asian Diasporic Visual Cultures and the Americas

political conditions in the Philippines. In the November 2005 issue, a page was used to display the English translation of lyrics to a Tagalog folk song, “ Awit Sa Bayani ” [Song of a Hero]. Nationalistic in tone, the lyrics were written for an activist who had lost his or her life. Using this song at that

In: Asian Diasporic Visual Cultures and the Americas
Author: Agnès Delahaye

negatively as the downside of Winthrop’s dilemma structuring the story, “the same large paradox that had troubled Winthrop from the beginning, the paradox that required a man to live in the world without being of it.” Running and managing the Company and the settlement, or living in the world, were both

In: Settling the Good Land

hegemonic centres but also hegemonic voices or practices still afoot in marginal locations. Hence, inquietude seems a key analogy for what has motivated and driven this roundtable. Inquietudes brings forth the notion of being in movement, of shuffling or shuttling between points of quietude, touching on

In: Asian Diasporic Visual Cultures and the Americas

archaeology, historic preservation, and contemporary theory of everyday life—have created methodologies for producing knowledge about common places and architecture that are not iconic. 15 For example, Arijit Sen and Jennifer Johung have developed landscapes as a concept to interrogate the material

Full Access
In: Asian Diasporic Visual Cultures and the Americas

which they meant a transformative politics from below, containing an “evolution” in changed human relationships to each other, to non-human life, and to habitat away from petrocracy toward sustainable social relations. 3 They specified that any revolutionary possibility “begins with a series of

Full Access
In: Asian Diasporic Visual Cultures and the Americas
Author: Victoria Nolte

relatives stating they had made their fortunes in the gold rushes of California and British Columbia. Labour recruiters in China, who played a central role in establishing networks that spanned the globe, convinced men that they could make a better living for themselves and for their families because “money

In: Asian Diasporic Visual Cultures and the Americas