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, a style that he believed derived from Tanis Tanis under the influence of Asiatic populations living in the Delta. 6 He supported Golenischeff’s dating of the sphinxes; however, he ascribed the Nilotic dyads to Ramses II Ramses II and Cairo CG 395 Cairo CG 395 to the Hyksos (pls. XXXIX, XL ). J

In: Visualizing Coregency

specific, living individual – thus offering more room for interpretation and acceptance of differing artistic conventions. 14 Further complicating this issue is the idea that a portrait is created primarily for aesthetic reasons, while a representation serves additional functional or ideological purposes

In: Visualizing Coregency

-European was motivated by a split within the preexisting PIE animate gender and that the split was sex-based”, and he notes (as Luraghi does in 2011, though not in 2009b) that Meillet had already proposed in 1931 that the PIE feminine arose within the “common” or “animate” gender: “that the creation of the

In: Hrozný and Hittite