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Daniel Regnier

montage, Tarkovsky does not allow the locus of creativity to shift from the film director to the actors. Despite what seems to have been a sincere and very profound appreciation of his actors, Tarkovsky remained a very solid auteur . Ultimately, Tarkovsky’s critique of montage seems to be motivated by

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Thorsten Botz-Bornstein

motivated actions. As a result, our attention will shift towards the objects or towards some very simple actions. Plotinus would say that our soul is getting purified while before it was impure “and dragged in every direction towards the objects of sense, with a great deal of bodily stuff mixed into it

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Panayiota Vassilopoulou

–14)? Is it the exploration of the hypothesis that living a life from hand to mouth is an unsatisfactory way to engage in the project of being a self since it amounts to a fragmented life allowing no possibility for self-knowledge? Is it meant in a quasi-transcendental Kantian sense, as a claim that the “I

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Andrew Darr

Edward Albee’s one-act play “The Zoo Story” centers on the random meeting of two men, Jerry and Peter, on a bench in Central Park. Over the course of the play, the audience learns about Jerry’s troubled family history, his unconventional living situation, and his unique perspective on communication

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Anthi Kosma

different than the combinations of lines; they are the very reality of everything that we perceive and express. […] Dramatic action and plastic surface can be reduced to the same reality: the modification of this large, vibrant surface, excited and modified by a unique force called Life. One should not

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Katerina Mojanchevska

changed to symbolically alter the collective memory of its residents. The group has been active for one year with a core of five families living around the park and the playground. – Prva Arhi-brigada – PAB (First Archi Brigade): a self-organised group of students of architecture, established in 2009 as

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Nycole Prowse

is a condition of what is living, of matter, of the real, of the universe itself. It is what the universe imposes on us rather than we on it; it is what we find ourselves immersed in, given, as impinging and as enabling as our spatiality. 29 The subject-body is at time’s disposal no matter how much

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Clementine Monro

of being in the world, and having a body is, for a living creature, to be intervolved in a definite environment.’ 11 The felt sense of absence is possible through the body’s reaction and interaction to the space that is particular to the ruin. This often gives us nothing of artefacts and facts it is