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Jacob Stewart-Halevy

-object-idea ‘assemblages’; or producing simple allegories of commodity fetishism, status, and alienation; or falling back on a form of secular animism where things have ‘a social life’ of their own. These recurring paradigms may be effective rhetorically because they employ a heuristic whereby the objects under our noses

Wholly Obsolete or Always a Possibility?

Past and Present Trajectories of a ‘Dematerialization’ of Art


Christian Berger

Masotta’s text regarding the role of communication, dissemination, and ultimately the dissolution of art into social life, and Lippard’s increasingly politicized assessment of the potentials of a ‘dematerialized’ art—although Masotta’s perspective was more radical, as the Argentinian writer aimed towards