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Amy Schwartzott

deconstructing Mozambican history. The visual power of TAE artworks engages viewers to remember the violence and destruction of Mozambique’s extended history of war, representing the continuation of the life of a weapon through its reincarnation. TAE ’s purposeful destruction and transformation of recycled

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Ana Margarida Fonseca

a biologist working in rural areas in close contact with traditional habits and beliefs. While his professional life enabled him to maintain direct contact with remote populations throughout the country, his childhood in Beira 2 constituted the first immersion in the cultural diversity of