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Anca Baicoianu

racial persecution”: “In twentieth-century East-Central Europe exile usually meant a self-motivated or, occasionally, forced departure from the home country or habitual place of residence, because of a threat to the person’s freedom or dignified survival […] The departure was for an unforeseeable time

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The Rainbow Isle and the City of Rain

Foreigners in Mauritian and Norwegian Ultraminor Genre Fiction

Rashi Rohatgi

1960s onwards, in Paris alongside black intellectuals from around the world taking their cue from the negritude movement, was raised to obscure his black genes in order to pass for white; in Paris, living as a black man, he noted that he wished he could also speak Hindi so as to more fully represent in

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Susan Bassnett

-known writer herself, is invited to Moscow to a celebration of Falin’s life (since glasnost he has been rehabilitated in absentia ), because she has published some of the poems they worked on together: “Translations without originals” she had called them; poems neither his nor hers, or both his and hers

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Global Masterpieces and Italian Dialects

Shakespeare in Neapolitan and vicentino

Elisa Segnini

synthesize the high quality of our Mediterranean race, and represent a living document in the history of custom. Posterity will be very interested in learning and studying them, especially to understand on what generous and fertile soil the new climate that reshapes the Italian life could plant its roots

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Multilingual Code-Stitching in Ultraminor World Literatures

Reading Abhimanyu Unnuth’s Lāla Pasīnā (1977) with Amitav Ghosh’s Sea of Poppies (2008)

B. Venkat Mani

include a] linguistic community’s size, its literacy rates, the relative vitality of oral traditions, and access to publication or other means of preservation and dissemination … The ultraminor size constantly generates a certain structure in terms of patterns of living, thinking, mapping, remembering

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Maria de Fátima Silva

maintenant qu’il s’agit” 17 (Yesterday, I too would have wished to live, but now the question is not one of living or dying anymore). A resolute “moi” (cf. 28) is what is left from a whole life project; having lost her motherland and her family, with the relationship that had brought her to Corinth now over

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Albrecht Classen

that motivated the production of literary translations can be usefully narrowed down to a general interest in making the original story or text known to new audiences; the individual translator’s enjoyment of translating from one language to another; the translator’s hope of attracting a potential

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Neil W. Bernstein

that fighting on is useless, while Hector’s widow Andromache explains how she came to be remarried to a Trojan rather than living out the remainder of her life as a Greek hero’s concubine ( Aen . 3.321–343). Virgil’s Trojans rescue Odysseus’ shipmate Achaemenides from the Cyclops’ island, in

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Author : Tine Scheijnen

He said: “Go dry your eyes and live your life like there is no tomorrow, son.” 1 It has been carefully prophesied from Achilles’ death onwards: his heir will soon take his place on the Trojan battlefield. This heir is his son Neoptolemus, a character barely

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Richard van Leeuwen

story has been told. For Saleem, Padma’s presence is indispensable. Padma is his anchor in life, the reason for his storytelling, his reason for living: “What-chews-on-bones refuses to pause … it’s only a matter of time. This is what keeps me going: I hold on to Padma. Padma is what matters – Padma