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Ruben Borg

, living from life-like. The third thesis in particular strikes a familiar cord. As must be obvious to any reader of posthuman myths, narratives about robots, clones or cyborgs, the thematic exploration and dramatisation of tragic passions is an all but inescapable note in any human/android confrontation

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Ruben Borg

.” 37 By this reading, animism and its opposite (de-animation or alienation) must be regarded as symptoms of a degraded reality—the boundary between the living and the dead is effaced at the expense of life itself. Yet we also find in these motifs a presentiment of the unboundedness of life. The

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Lindsay Haney

to profit-motivated foster care. As he grows up, he finds that he has to some extent a preference for men and for feminine pronouns, and [s]he invests substantial energy in finding a place for herself in her hometown before moving on to London and a series of adventures, including varieties of sex

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Ruben Borg

culturally powerful fictions whenever historical consciousness is seen to have reached an impasse. Allegorised in the scene is an over-extended moment, something akin to a life that has overshot its mark. A concrete literary example will help to clarify the point. The scene occurs in The Mayor of

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Aisling B. Cormack

.0027. Taylor , Robert . “Life of a ‘Pig’ in BB .” Review of BB , by Patrick McCabe , Seattle Post-Intelligencer , 8 Jun. 1993 , final ed., Living sec., p. C2, NewsBank: Access World News, docs.newsbank.com “Ulster Winter Assizes.” The Irish Times , 2 Dec. 1904 , p. 7 . The Irish Times Archive