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Erasmus was not only one of the most widely read authors of the early modern period, but one of the most controversial. For some readers he represented the perfect humanist scholar; for others, he was an arrogant hypercritic, a Lutheran heretic and polemicist, a virtuoso writer and rhetorician, an inventor of a new, authentic Latin style, etc. In the present volume, a number of aspects of Erasmus’s manifold reception are discussed, especially lesser-known ones, such as his reception in Neo-Latin poetry. The volume does not focus only on so-called Erasmians, but offers a broader spectrum of reception and demonstrates that Erasmus’s name also was used in order to authorize completely un-Erasmian ideals, such as atheism, radical reformation, Lutheranism, religious intolerance, Jesuit education, Marian devotion, etc.

Contributors include: Philip Ford, Dirk Sacré, Paul J. Smith, Lucia Felici, Gregory D. Dodds, Hilmar M. Pabel, Reinier Leushuis, Jeanine De Landtsheer, Johannes Trapman, and Karl Enenkel.

edition and the other witnesses as authorial variants, which I have recorded in the apparatus criticus . This is meant to allow readers to follow the evolution of the text, as well Augurello’s adaptation of his poem to new contexts of publication. MS P. D. 414 b of the Biblioteca del Museo Correr in

In: Giovanni Aurelio Augurello (1441-1524) and Renaissance Alchemy

: after placing them on the scales, they weigh them regardless of 1 si reputes] Augur. Serm . 2.11.4 1 Verum … auro] These verses give further evidence of A.’s adaptation of Platonic ideas to an alchemical context. More specifically, they summarize a triadic theory of matter, rooted in

In: Giovanni Aurelio Augurello (1441-1524) and Renaissance Alchemy

into the terse language and imagery of Vergil, Ovid, Lucretius and other masters of classical Latinity. 119 Matton has substantially endorsed von Martels’ views as far as Augurello’s innovative adaptation of humanistic practices to alchemical literature is concerned. In a dialogue with François Secret

In: Giovanni Aurelio Augurello (1441-1524) and Renaissance Alchemy

at most only a few years apart) remains unexplained. One reason why Lucian’s early modern reception appears to be self-contradictory is that it has only been partially investigated. Scholarship may have scrutinized all the rewritings of Lucian’s texts (i.e. translations, appropriations, adaptations

In: Building the Canon through the Classics
CHOICE Outstanding Academic Title 2014

With its striking range and penetrating depth, Brill’s Encyclopaedia of the Neo-Latin World traces the enduring history and wide-ranging cultural influence of Neo-Latin, the form of Latin that originated in the Italian Renaissance and persists to the modern era. Featuring original contributions by a host of distinguished international scholars, this comprehensive reference work explores every aspect of the civilized world from literature and law to philosophy and the sciences. An invaluable resource for both the advanced scholar and the graduate student.

The Encyclopaedia is also available in PRINT.

The online edition gives access to a number of newer entries that are not included in the print edition and also includes corrections.

Contributors are: Monica Azzolini, Irena Backus, Patrick Baker, Jon Balserak, Ann Blair, Jan Bloemendal, David Butterfield, Isabelle Charmantier, John Considine, Alejandro Coroleu, Ricardo da Cunha Lima, Susanna de Beer, Erik De Bom, Jeanine De Landtsheer, Tom Deneire, Ingrid De Smet, Karl Enenkel, Charles Fantazzi, Mathieu Ferrand, Roger Fisher, Philip Ford, Raphaele Garrod, Guido Giglioni, Roger Green, Yasmin Haskell, Hans Helander, Lex Hermans, Thomas Herron, Louise Hill Curth, Leofranc Holford-Strevens, Brenda Hosington, Erika Jurikova, Craig Kallendorf, Jill Kraye, Andrew Laird, Han Lamers, Marc Laureys, Jeltine Ledegang-Keegstra, Jan Machielsen, Peter Mack, Eric MacPhail, David Marsh, Dustin Mengelkoch, Milena Minkova, David Money, Jennifer Morrish Tunberg, Adam Mosley, Ann Moss, Monique Mund-Dopchie, Colette Nativel, Lodi Nauta, Henk Nellen, Gideon Nisbet, Philipp Nothaft, Katrina Olds, Richard Oosterhoff, Marianne Pade, Jan Papy, David Porter, Johann Ramminger, Jennifer Rampling, Rudolf Rasch, Karen Reeds, Valery Rees, Bettina Reitz-Joosse, Stella Revard, Dirk Sacre, Gerald Sandy, Minna Skafte Jensen, Carl Springer, Gorana Stepanić, Harry Stevenson, Jane Stevenson, Andrew Taylor, Nikolaus Thurn, Johannes Trapman, Terence Tunberg, Piotr Urbański, Wiep van Bunge, Harm-Jan van Dam, Demmy Verbeke, Zweder von Martels, Maia Wellington Gahtan, and Paul White.
CHOICE Outstanding Academic Title 2014
Library Journal Best Print Reference Selection 2014

With its striking range and penetrating depth, Brill’s Encyclopaedia of the Neo-Latin World traces the enduring history and broad cultural influence of Neo-Latin, the form of Latin that originated in the Italian Renaissance and persists to the modern era. Featuring original contributions by a host of distinguished international scholars, this 800,000 word two-volume work explores every aspect of the civilized world from literature and law to philosophy and the sciences. An invaluable resource for both the advanced scholar and the graduate student.

The Encyclopaedia is also available ONLINE.

Contributors are: Monica Azzolini, Irena Backus, Jon Balserak, Ann Blair, Jan Bloemendal, David Butterfield, Isabelle Charmantier, John Considine, Alejandro Coroleu, Ricardo da Cunha Lima, Susanna de Beer, Erik De Bom, Jeanine De Landtsheer, Tom Deneire, Ingrid De Smet, Karl Enenkel, Charles Fantazzi, Mathieu Ferrand, Roger Fisher, Philip Ford, Raphaele Garrod, Guido Giglioni, Roger Green, Yasmin Haskell, Hans Helander, Lex Hermans, Louise Hill Curth, Leofranc Holford-Strevens, Brenda Hosington, Erika Jurikova, Craig Kallendorf, Jill Kraye, Andrew Laird, Han Lamers, Marc Laureys, Jeltine Ledegang-Keegstra, Jan Machielsen, Peter Mack, David Marsh, Dustin Mengelkoch, Milena Minkova, David Money, Jennifer Morrish Tunberg, Adam Mosley, Ann Moss, Monique Mund-Dopchie, Colette Nativel, Lodi Nauta, Henk Nellen, Gideon Nisbet, Richard Oosterhoff, Marianne Pade, Jan Papy, David Porter, Johann Ramminger, Jennifer Rampling, Rudolf Rasch, Karen Reeds, Valery Rees, Bettina Reitz-Joosse, Stella Revard, Dirk Sacré, Gerald Sandy, Minna Skafte Jensen, Carl Springer, Gorana Stepanić, Harry Stevenson, Jane Stevenson, Andrew Taylor, Nikolaus Thurn, Johannes Trapman, Terence Tunberg, Piotr Urbański, Wiep van Bunge, Harm-Jan van Dam, Demmy Verbeke, Zweder von Martels, Maia Wellington Gahtan, and Paul White.

elegiac distich by adding Val . 1.34 in lightly adapted form: “Ista notare cibo debet medicus bene doctus, / Ne male conveniens ingrediatur iter.” Like the already mentioned borrowings from Eobanus, this newly interpolated verse maintains its place in all the many reprints and adaptations of the Curio

In: The Poetic Works of Helius Eobanus Hessus

start of the new series ( Idyl . 13), where it would command immediate attention. The idyl addressed to Melanchthon remains as Idyl . 14. It is immediately followed by the adaptation of Theocritus’s “The Cyclops” ( Idyl . 15). The last two poems are now a study in contrasts: the encomium of Nuremberg

In: The Poetic Works of Helius Eobanus Hessus