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Jens Christoffer Skogen and Sverre Nesvåg

interoceptive processing. Front. Hum. Neurosci. , 12 , 74 . doi: 10.3389/fnhum.2018.00074. Enders C. ( 2010 ). Applied missing data analysis . New York, NY, USA : Guilford . Hair J. , Anderson R. , Tatham R. , & Black W. ( 1998 ). Factor analysis . In

Kyle J. Comishen and Scott A. Adler

infant, through the pupil, and off the mirror was recorded by the camera at a temporal resolution of 60 Hz. To minimize outside light entry and distraction inside the crib, black felt curtains were drawn over and around the crib. Figure 1. Image of the specialized crib used with infants, showing the

Takumi Tanaka, Takuya Matsumoto, Shintaro Hayashi, Shiro Takagi and Hideaki Kawabata

error). While black points indicate effect sizes actually observed, white ones indicate data estimated as missing due to potential publication bias. 3.1.2.  Moderators of Action Shift The difference in the type of SD used to calculate d did not have systematic influence on the d of action shifts [ F

Jan Koenderink

black, or sometimes grey, or even white, fairly thick outline very significantly changes their hue. A black lining gives the colors a precious jewel-like quality, a bit like the effect one sees in church windows in which colored glass panes are held by leaden strips (Note 4; Chevreuil, 1839 ; Bezold

Teresa Pedro

learn a new causal model (by way of an interventional learning task). The causal model to which the subjects became acquainted in the training phase was the following: the collision of a green square with a black platform causes the transformation of a red rectangle into a star (let us call this the

Aesthetic Processing Among Artists and Non-Artists with a Composition Creating Task Bernadett Arndt ...............311 The Influence of Art Expertise, Knowledge, and Interest on the Appreciation of “Black and Red Squares” by Kazimir Malevich Arefe Sarami, Johan Wagemans and Reza Afhami

Aysha Basharat, Jeannette R. Mahoney and Michael Barnett-Cowan

button). Participants were explicitly told to respond as accurately as possible as opposed to responding quickly. Visual stimuli were presented in the form of a 0.4° white circle (49.3 cd/m 2 ) against a black background (0.3 cd/m 2 ), which appeared 2° below the fixation cross for 17 ms. They were

Sofia Tagini, Federica Scarpina, Francesca Bruni, Massimo Scacchi, Alessandro Mauro and Massimiliano Zampini

participant was photographed on a black opaque paper background using a digital camera and a tripod. The camera was mounted 50 cm in parallel above the table. Each picture was processed with Adobe Photoshop CC 2017 (version 20161130.r.29 x64, © 1996–2016 Adobe System Inc., San Jose, CA, USA) to isolate the

Noelle R. B. Stiles, Armand R. Tanguay Jr. and Shinsuke Shimojo

200] relative brightness) near the top of the screen and a visual stimulus centered 3.5 inches (8.9 cm; 9.9° visual angle) below the fixation cross. The visual stimuli were either a black sharp-edged disk (1 inch in diameter; 2.5 cm; 2.9°; 110 pixels) or a gradient disk (black center fading to white

Jianying Bai, Xin He, Yi Jiang, Tao Zhang and Min Bao

.1.2.1. Stimuli and Procedure. A black fixation point (0.46° in diameter) was presented on the center of a mid-gray background. Subjects were told to maintain a good fixation throughout an experimental session. During adaptation, subjects were presented with two full-contrast vertical gratings in the upper and