The Pathogenesis of Fear gathers together diverse conversations about cultural constructions of the monstrous. Interdisciplinary essays map the margins of monstrosity as follows: the cannibalistic paradox in Kleist’s late-Romantic
Penthesilea; intersections of the monstrous-feminine and the new Victorian psycho-physiology of consciousness in George Eliot’s early novels; the monster-formed citizens of Dickensian and later dystopias; the killing of African Americans targeted as monstrous entities in US cities; the post-human anguish of a television zombie-world; the monstrous mutilations of a Spanish horror film; psychosocial aberration in Martin Millar’s werewolf fiction; the demonization of the Other on the war-torn streets of Ireland; Derridean devouring sovereignty. Discursively correlated with different categories of body and mind, monstrosity, these essays argue, persists in taking many forms. Contributors are Elizabeth Hollis Berry, Niculae Gheran, Sarah Harris, Fiona Harris-Ramsby and Mubarak Muhammad, Michaela Marková, Kimberley McMahon Coleman, Judith Rahn, Cindy Smith and Marita Vyrgioti.
This book offers a bold and controversial new thesis regarding the nature of prejudice. The authors' central claim is that prejudice is not simply learned, rather it is predisposed in all human beings and is thus the foundation for ethical valuation. They aim to destroy the illusion that prejudice is merely the result of learned beliefs, socially conditioned attitudes, or pathological states of development. Contrary to traditional accounts, prejudice itself is not a negative attribute of human nature, rather it is the necessary precondition for the self and civilization to emerge. Defined as the preferential self-expression of valuation, prejudice gives rise to greater existential complexities and novelties that elevate selfhood and society to higher states of ethical realization. Rather than offer another contribution that highlights the destructive nature of prejudice, Mills and Polanowski address the ontological, psychological, and dialectical origins of prejudice as it manifests itself in the process of selfhood and culture. They provide an original conceptualization of the phenomenology of prejudice and its dialectical instantiation in the ontology of the individual, worldhood, and the very structures of subjectivity. As a unique synthesis of psychoanalysis, Hegelian idealism, Heideggerian existential ontology, and Whiteheadian process philosophy, prejudice is the indispensable ground for humanity to actualize its highest potentiality-for-Being. The striking result is (1) a revolutionary theory of human nature, (2) a new ethical system, and (3) the elevation of dialectical ethics to the domain of metaphysics.
. Grant , which I can highly recommend. It has this passage: Grant asked Lincoln to borrow his large bay horse Cincinnati, while he rode the small black pony Jeff Davis . I’ll just note that this is funny for two reasons. One is this is in the middle of the Civil War and the pony is named after the
one great example from Roger Tootell’s group (1982). They trained monkeys to simply hold fixation on the stimulus and then presented them with a flickering bullseye pattern illustrated here. The actual stimulus alternated so that the white and black components alternated on this superimposed neutral
embedded in the primordial chaos of sensations, which gave the mere matter to the thought of all of us indifferently. We may, if we like, by our reasonings unwind things back to that black and jointless continuity of space and moving clouds of swarming atoms which science calls the only real world. But all