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Image-Based Architecture

Fotografie und Entwerfen

Philipp Reinfeld

Philipp Reinfeld befasst sich mit den Möglichkeiten architektonischer Raumproduktion auf der Basis von Privatfotos, die in den sozialen Medien heute eine eigene Kommunikationsform herausgebildet haben.
Seitdem Kameratechnik zur zentralen technischen Komponente des Smartphones geworden ist, erhält das fotografische Bild eine erweiterte Bedeutung und Funktionalität. Der fotografische Zugang zur Welt zielt heute weniger auf eine Bezeugung etwas vormals Geschehenem ab, als vielmehr auf eine laufend sich wiederholende Veräußerung eigenen Handelns im „Hier“ und „Jetzt“. In gleicher Weise wie frühere Formen bildlich-perspektivischer Raumrepräsentationen Einfluss hatten auf die Konstitution räumlicher Gestaltgebung, beginnen auch die neuen fotografischen „Bildwelten“, die Architekturproduktion im Sinn eines Übersprungs bildlicher Logik in räumliche Materialisierungen spezifisch zu bestimmen.

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Christoph Pieper

-French attitude in central Europe in the years around 1500, it could be useful to again raise the discussion of the national identity of Alsace. Two dangers for the Habsburg monarch were present: on the one hand, the French king was a dangerous rival for the imperial crown; on the other hand, there was lots of

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Peter Edwards and Elspeth Graham

The lives of William Cavendish, first duke of Newcastle, and his family including, centrally, his second wife, Margaret Cavendish, are intimately bound up with the overarching story of seventeenth-century England: the violently negotiated changes in structures of power that constituted the Civil Wars, and the ensuing Commonwealth and Restoration of the monarchy. William Cavendish, 1st Duke of Newcastle, and his Political, Social and Cultural Connections: Authority, Authorship and Aristocratic Identity in Seventeenth Century England brings together a series of interrelated essays that present William Cavendish, his family, household and connections as an aristocratic, royalist case study, relating the intellectual and political underpinnings and implications of their beliefs, actions and writings to wider cultural currents in England and mainland Europe.

Montfort

History, Early Research and Recent Studies of the Principal Fortress of the Teutonic Order

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Edited by Adrian Boas and Rabei G. Khamisy

Montfort Castle, located in the western Galilee, was the principal fortress of the Teutonic Order, one of the three great military orders of the Crusader period. It was built in the early thirteenth century and occupied and dismantled by the Mamluk army in 1271. It is among the finest examples of Crusader spur castles. This present volume includes discussions by 23 scholars, experts in their fields, in 28 chapters covering every aspect of past and recent scholarship on the history of the Teutonic Order and the castle, travellers’ descriptions, the architecture, the geographical setting, the material culture of the garrison, and detailed descriptions of the 1926 archaeological expedition to Montfort and the ongoing work of the Montfort Castle Project.

Winner of the 2017 Verbruggen prize, awarded annually by the De Re Militari society for the best book on medieval military history. The awarding committee stated that the volume offers ‘a through exploration of all the sources, archaeological and literary, relating to an important site. A model for future work.’

Contributors are Laura Aiello, Zohar Amar, Tamar Backner, Adrian J. Boas, Nativ Dudai, Rafael Frankel, Jonathan J. Gottlieb, Lydia Perelis Grossowicz, Timothy B. Husband, Nurith Kenaan-Kedar, Rabei G. Khamisy, Robert Kool, Dorit Korngreen, Rafael Lewis, Nili Liphschitz, Cecilia Luschi, Lisa Pilosi, Mary B. Shepard, Vardit Shotten-Hallel, Kristjan Toomaspoeg, Andrea Wähning, David Whitehouse, and Mark Wypyski.

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Pascal Fischer

(Haywood 117, 129), they were also very hard to comprehend. The actual chronology of events is nevertheless reconstructed easily enough (see Haywood and Seed 1–7): on 2 June 1780, up to 50,000 people gathered in London’s St George’s Fields to march to Parliament, where they wanted to present a petition

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Jens Martin Gurr

members of the class they are supposedly struggling for (Liss 257). After a few conceptual remarks on “critical urban studies” and the intersection of scholarship, activism and cultural production, the present essay uses two case studies to discuss selected examples of explicit engagements with “critical

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Edited by Annie Ring, Henriette Steiner and Kristin Veel

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Stephan Kohl

Ackroyd’s narrator, leads to a “vision of unbroken continuity” (671), to a knowledge of the “essential” (671) quality of London localities, as visible in their pasts, and this new understanding will eventually replace the perception of the present: the newly discovered “enchanted areas of London” (461

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Ger Zielinski

bathroom scenes, for example, when the two are present together alone in the apartment, each casually bathes naked in the large bathtub – perhaps intimating a vague incestuous edge? Figure 12.1 Vancouver, screen shot from NSOMA of Altman’s film on television. Figure 12.2 LaBruce, Toronto. Screen shot

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Joongsub Kim

combined and cross-disciplinary methods inspired the author’s present study. Despite these valuable lessons and accomplishments (e.g., location-focused research, place typologies, scientific rigor, the impact of religion, etc.), spirituality literature has neglected spirituality in places in urban decay