The Third Stage
Victor Figueroa Sepulveda
Various Authors & Editors
Books and Pamphlets (HH-15)
Unfortunately, many of the books from people of Hispanic heritage have been lost due to the ravages of time, lack of institutional interest, small press runs, etc. Before the present microfilm collection it was virtually impossible for scholars and students to study these books and pamphlets as an area of knowledge or an historical nexus of thought and identity.
This collection is also included in the U.S. Hispanic Heritage III collection.
The first part of the book traces the influence of armed conflict on contemporary women’s activism, by combining an analysis of women’s personal histories with an analysis of structural and contextual factors. This critical analysis forms the basis of the second part of the book, which discusses several alternative forms of women’s activism rooted in indigenous practices
The book thereby combines a micro- and macro-level analysis to present a sound understanding of post-conflict women’s activism.
Dualism in the Narratives and Cosmology of Ancient Cuzco
Edited by Gale Goodwin Gómez and Hein van der Voort
Government and Church Documents for Sacatepéquez (1587-1991)
Spanning more than four hundred years, The Guatemala Collection: Government and Church Documents for Sacatepéquez (1587-1991) concentrates primarily on the national era, particularly 1824-1948. The vast majority of the documents—correspondence, annual reports, statistics, letters, litigation—found within The Guatemala Collection are copies from the Archivo General de Centroamérica and the Archivo Histórico Arquidiocesano “Francisco de Paula García Peláez” (formerly known as Archivo Eclesiástico de Guatemala) in Guatemala City. In recent years, the latter has seldom been opened to the public. Colonial documents mainly come from the Archivo General de Indias in Seville, Spain. A few of the documents and transcripts come from the Centro de Investigaciones Regionales de Mesoamérica (CIRMA) in Antigua. In general, the documents are organized by place, theme, and chronology.
The Guatemala Collection comprises ten series. Eight of the series are titled after the department or municipality to which the documents correspond. The remaining two series—Colonial Documents and Secondary Sources—are titled descriptively. Although they also present findings and information concerning Sacatepéquez and its municipalities, for reasons of chronology and the nature of the documents, these series have been set apart from the main collection. The secondary source documents, which were authored primarily by the donor and historian Christopher Lutz, scholar and researcher Héctor Concohá, historian Wendy Kramer, and anthropologist Sheldon Annis, are notes, commentaries, descriptions, indexes, syntheses, and analyses of materials included in the collection itself or from the archives. Across these ten series, the documents of the collection are organized into fifty-seven distinct classifications that include such themes as economy, agriculture, forced labor, complaints, crime, annual reports, natural disasters, municipal affairs, education, elections, military, public works, religion, public health, lands and estates, development, resignations and solicitations, regulations, festivities, and maps. The majority of the documents are labeled by Concohá as to their years and subject matter.
Although Lutz initially was explicit in his research requests, after his exile from Guatemala in 1980, the project took on a life of its own as Concohá continuously widened the parameters of the research. Consequently, The Guatemala Collection houses a rich array of government, church, and civil documents that bear testimony to an indigenous population’s struggle and success with the changing social, economic, political, and religious dynamics of colonial and independent rule.
Image artwork: Caroline Salvin, Dueñas de la puerta de la casa, octubre de 1873 ( Dueñas from the house door, October 1873; watercolor)
Premio Casa de las Américas.
muralista mexicano David Alfaro Siqueiros en el buffet de bienvenida que la Casa de las Américas ofreció a los delegados latinoamericanos presentes en nuestro país con motivo del Gran Encuentro con Cuba. Las informaciones fueron publicadas en las revistas Bohemia y Carteles también en los periódicos
An Interdisciplinary Exploration by Ten Scholars from Africa, Asia and Latin America
Edited by Dick Foeken, Ton Dietz, Leo de Haan and Linda Johnson
A Marxist Analysis
Dan La Botz
The Vertical Archive of the Casa de las Américas, Part 1: “Casa y Cultura”
• Covering almost 60 years of cultural relations between Revolutionary Cuba and abroad
• Full-text search functionality
• Including MARC21 catalog records
Casa de las Américas in Havana, Cuba, ranks among the most renowned cultural institutions in Latin America and the Caribbean. Ever since its creation in 1959, it has been a host to thousands of writers and artists from throughout the region. It has published countless books and articles, organized conferences, concerts, expositions, theatre productions and numerous cultural contests. Founded just three months after the Cuban Revolution, it quickly became a fundamental link between the cultural vanguard in Latin America and the Caribbean on the one hand and a diplomatically isolated Cuba on the other. Over the course of almost six decades it has amassed a vast amount of information, thus creating a unique record to study the history of both the institution itself as a cultural hub, but also that of the protagonists of a remarkable era.
Much of the information is preserved in the present “Casa y Cultura” section of the so-called Archivo Vertical at Casa de las Américas library. This section contains some 45,000 documents organized in 545 folders, covering such diverse materials as articles, newspaper clippings, cable messages, interviews, conference memorabilia, etc., collected from 1959 onward. Together they document the activities of the institution both in Cuba and beyond, bearing testimony to the conflicts and passions of a turbulent time. Conferences and controversies, manifestos and open letters combine to shed a light on a vibrant cultural history, which is now accessible for the first time from new and unexpected angles.
The archive’s genesis was somewhat random; it started out collecting newspaper clippings (an external agency was in charge of compiling them) in order to keep track of the various activities of the Casa de las Américas. Gradually the collection began to grow as donors and librarians from different countries sent press clippings and other documents to the institute. Employees and researchers at the Casa itself contributed as well. Much of this constitutes ephemeral material, difficult to obtain as it derived from non-indexed sources (e.g. newspaper clippings) or consisted of unpublished articles (e.g. press dispatches). The employees at Casa de las Américas would use these documents for their own information or they would serve as promotional material for the different departments within the institute. Once they had served their purpose they would be sent to the library to be archived. In some cases there are notes in the margins or senders’ requests, an interesting aspect when we consider the importance of some of its authors.
Writers and artists
Among the many documents, the programs of the monthly events at Casa de las Américas stand out ( Programa del Mes). They allow us to establish a record of all public activities organized by the Casa since its founding. Other documents give insight in the plethora of colloquiums, meetings and conferences where intellectuals and artists from across Latin America and the Caribbean met. Here we find information about such illustrious figures as Miguel Angel Asturias, Alejo Carpentier, Fernando Benitez, Carlos Fuentes, Miguel Otero Silva, Simone de Beauvoir, Jean-Paul Sartre, Dario Fo and Mercedes Sosa, to name but a few. We also find information about the different departments of the institute: Theatre, Music, Visual Arts, Centre for Literary Research, Centre for Research on the Caribbean and Study Guides (on women, Latinos in the United States, cultures of Latin America and people of Afro-American descent). Also highly significant are the extensive files on the famous literary prize of the Casa de las Américas: the Premio Literario Casa de las Americas, which is by far the oldest and most ambitious one in the region.
Finally, the present section of the Archivo Vertical contains records about Haydee Santamaría, one of the most renowned women of the Cuban Revolution and the founder and president (until her death in 1980) of Casa de las Américas.
Jorge Fornet, Havana