The subject of
Images of America in Scandinavia, the first comprehensive study of its kind, is as multifaceted, complex, and overwhelming as America or the United States, itself. It concerns the nature and function, reality and fiction of such images in Denmark, Norway, and Sweden past and present. The book is intended to be a source of solid information as well as a starting point for further inquiries into its cultural territory.
Part of its focus is on images of America rooted in printed sources, but, in addition, general surveys of other cultural signs of America in the Scandinavian countries present a broader picture and provide some of the background for the predominantly literary images. Issues such as government and politics, popular and vanguard music and art, and socio-cultural institutions intermittently come to the fore.
Framing the volume's three pairs of national surveys is an introductory chapter, which addresses the entire subject from a bird's-eye view, and a concluding chapter, which, by contrast, delves into the cross-fire of sentiments defining people whose images of America, are both American and Scandinavian. The discussion of America as perceived in Scandinavia sheds new light on intriguing inter-Scandinavian cultural distinctions and borderlines.
Countless books and articles, methods and theories, have been devoted to the study of national and cultural identity. Still, the exchanges between such identities and the images they engender - so indispensable for the participants in a global culture - remain clouded by many misconceptions.
Images of America in Scandinavia whose editors and authors all have Scandinavian backgrounds, will contribute an improved understanding of the cultural interplay between Scandinavia and the United States of America.
In his legendary novel
The Jungle (1905 and 1906), Upton Sinclair included a conspicuous number of Lithuanian words, phrases and surnames. This volume is the first attempt to analyze aspects of Lithuanian linguistic and historical data from
The Jungle. Sinclair discovered the Lithuanian language in Chicago and explored it with pleasure. He even confessed to having sang in Lithuanian. If you look for “a Lithuanian linguist” working in field-research conditions in Chicago’s Back of the Yards—there is Upton Sinclair! The book targets Sinclair’s motives for choosing Lithuanian characters, his sources and his work methods in “field-research” conditions in Chicago. Some real-life individuals—Lithuanian
name-donors for the protagonists of
The Jungle—are presented in this volume. Certain details of the turn-of-the-century Chicago depicted in
The Jungle are also revealed—for example, the saloon where the actual Lithuanian wedding feast took place and its owner. This volume is of interest to American literary historians, sociolinguists, language historians, and those interested in the history of Lithuanian immigration to America and the immigrant experience in Chicago.