Search Results

Joseph A. Marchal and Robert Seesengood

); and D.J. Shepherd, The Bible on Silent Film: Spectacle, Story and Scripture in Early Cinema (Cambridge: Cambridge University Press, 2013). 8 As traced in J.C. Exum and S.D. Moore, “Biblical Studies/Cultural Studies,” in J.C. Exum and S.D. Moore (eds.), Biblical Studies/Cultural Studies: The Third

Emily O. Gravett

displayed, with their appearance coded for strong visual and erotic impact so that they can be said to connote to-be-looked-at-ness . Woman displayed as sexual object is the leitmotif of erotic spectacle.” 69 Mulvey’s concept of the male gaze allows scholars to explore the times when scopophilia