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material Jewish bibles in multiple contexts. He sees the material form that Jewish bibles have taken as stemming primarily from the materials available and the cultural interactions between the Jewish and gentiles cultures. Stern spends less energy on the economics and market forces that impacted the

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changes. While addressing children in Hebrew and Yiddish, Kotlyar identifies the visual programs, which drew upon the energy of the Russian Avant-Garde, as delivering the primary source of meaning to its young audience. Kotlyar explores how children’s illustration in Russia inaugurated a new multimodal

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