Australian Contexts and their Writers
Edited by CA. Cranston and Robert Zeller
Edited by Claire Davison-Pégon and Gerri Kimber
Mansfield’s many stays in France were decisive in intellectual, personal and psychological terms: discovering ‘Murry’s Paris’ and the Left Bank; escaping to the War Zone to join Francis Carco; living as a civilian in wartime during the bombardments of Paris; travelling and finding lodgings as a single woman in war-ravaged towns; the experience of bereavement and debilitating ill-health abroad; and the joys and pitfalls for an outsider of a foreign land and idiom.
Edited by David Evans and Kate Griffiths
Sergei M. Zayats
poet wants to go with it in his life’s journey, with it he is again ready to enter the field of Kulikovo and defeat the internal and external enemies. Blok is eager for fire, capable of clearing his native land, to heal his wife from bloody ulcers and wounds. Admittedly, this mysterious singer was in
Contemporary Fiction in English and the Myth of the Fall
The discussions of five major novels by William Golding, Patrick White, Martin Amis, Salman Rushdie, and Wilson Harris not only serve to expand the mythological insights achieved in the first part of the book; they also suggest the incommensurability of imaginal, novelistic life with mythology's age-old intuitions about the human condition.
Myth criticism emerges from this book as an irreplaceable vantage-point from which man's lapsarian predicament can be scrutinized synchronically as archaic wisdom, contemporary anxiety, and post-colonial commitment to the building of a new human city.
Changing Patterns in the Construction of Otherness
Edited by Isabel Santaolalla
The Female Subject in Two Generations of East German Women Writers
In this bold rethinking of the question, Cheryl Dueck goes beyond the social, political, and psychological discourses that Marx and Freud, Foucault and Lacan viewed as the initiators of modern (socialist) identities to explore the literature and discourse of the quest for unity of the female subject. Reading such authors as Christa Wolf, Brigitte Reimann, Helga Königsdorf, and Helga Schubert, Dueck traces the striking fissures which run through time and through the female self, haunting women within the socialist project.
The book shows how two generations of women writers have struggled consciously and systematically in their letters, aesthetic writings, and literary production to create a new language to express their own sense of self within a restrictive socialist and patriarchal system. Rifts in Time and in the Self offers an unprecedented look at the reconceptualizations of the female subject during several phases of GDR history, and women writers’ persistent attempt to carve out spaces of identity and community.