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Claudia Muth, Marius Hans Raab and Claus-Christian Carbon

The perception of artworks rarely—if ever—results in the instantiation of a determinate meaning. Instead, when entering an art gallery, we often expect Semantic Instability (SeIns): the experience of perceptual and cognitive habits being challenged. By comparing the experience of an artistic movie in an exhibition with the experience in a laboratory via the Continuous Evaluation Procedure, we found that the movie was less semantically unstable and more pleasing to the eyes of gallery visitors than to those of participants in the laboratory. These findings suggest that a gallery context might induce the expectation of perceptual challenge, thus decreasing the intensity of SeIns and at the same time heightening the appreciation of SeIns. Exhibition visitors might even be on the lookout for challenging experiences.

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Claudia Muth and Claus-Christian Carbon

there is a potential link to the experience of hidden images: we can compare the sudden appearance of a stable interpretation in a hidden image to the phenomenal quality of the ‘Aha!’-insight when changing from one interpretation (e.g., clouds) to another (e.g., sheep) in multistability. Whereas in

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Jon Ruthven

device, since the sudden ‘Aha!’ insight/discovery phenomenon after intense ‘seek- ing out’ ( midrash ) had the eff ect of strengthening the memory of that insight. 5 ‘Th e rhetorical argument that frames the plot consists of a demonstration that what the prophets said would happen did indeed happen, from