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Series:

Ranko Matasovic

This is the first etymological dictionary of Proto-Celtic to be published after a hundred years, synthesizing the work of several generations of Celtic scholars. It contains a reconstructed lexicon of Proto-Celtic with ca. 1500 entries. The principal lemmata are alphabetically arranged words reconstructed for Proto-Celtic. Each lemma contains the reflexes of the Proto-Celtic words in the individual Celtic languages, the Proto-Indo-European (PIE) roots from which they developed, as well as the cognate forms from other Indo-European languages. The focus is on the development of forms from PIE to Proto-Celtic, but histories of individual words are explained in detail, and each lemma is accompanied by an extensive bibliography. The introduction contains an overview of the phonological developments from PIE to Proto-Celtic, and the volume includes an appendix treating the probable loanwords from unknown non-IE substrates in Proto-Celtic.

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Edited by Terence Brown

The volume collects papers from a multi-disciplinary workshop, held under the auspices of the European Science Foundation, which examined the idea of Celticism in its European contexts from the eighteenth century to the present. Linguists, historians, cultural theorists and literary critics from a range of European countries addressed for the first time in a sustained way how the idea of Celticism developed and how it affected many aspects of European culture. A primary focus of the volume is James Macpherson's Ossian, now under-going a re-estimation. Other topics which receive significant examination are Celticism as a force in cultural nationalism, Celticism in contemporary Christianity, primitivism, the image of the Celt in archaeology, historiography, political propaganda and the role of the idea of the Celtic in linguistic taxonomy. This pioneering work will be of interest to scholars and students in a wide range of subjects in which the nature, function and effect of cultural concepts and images are of central concern.

Education and Celtic Myth

National Self-Image and Schoolbooks in 20th Century Ireland

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Pádraic Frehan

The book examines one aspect of the national self-image of Ireland as it was trans-generationally transmitted in the Irish National School environment through the medium of the Celtic mythology tales. Celtic mythology embodied a unique Irishness without being contentious in the wider social and political spheres and the texts had the capability to impart a national self-image, a character and ideological model for the young generation to follow and exemplify, while concurrently act as a sanctuary in which a unique, neutral, Irish self-past and contemporary self-image could be connected to. From 1922 onwards a state-run National School curriculum was set up to propagate a national ideal through the teaching of the Irish language, Irish history and a rekindled awareness of Ireland’s unique past. The mythology tales were employed to portray this unique past and their inclusion in the textbooks provided a platform for the policies of the inculcation of national pride, self-respect and self-image in the Irish nation, official government and Department policy following the Second National Programme Conference and Report in 1926. The aim of this book is an imagological one focusing on what made these tales ideological. The study incorporates a triangular approach: contextual, intertextual and textual. It is at the point of intersection between 4 specialisms: the historical study of Irish nationalism; the history of culture and education in 20th century Ireland; imagology and corpus linguistics. The conclusions drawn are based upon factual, statistical information garnered from the analyses conducted on the corpus and utilise information that is concrete and not hypothetical. This volume is of interest for all those working in Irish school literature, Irish studies – especially cultural, intellectual and educational history of Ireland, imagology and European studies.

Series:

Randall Hendrick

This volume, one of the few devoted to Celtic syntax, makes an important contribution to the description of Celtic, focusing on the ordering of major constituents, pronouns, inflection, compounding, and iode-switching. The articles also address current issues in linguistic theory so that Celticists and theoretical linguists alike find this book valuable.

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Nicholas Zair

In The Reflexes of the Proto-Indo-European Laryngeals in Celtic, Nicholas Zair for the first time collects and assesses all the words from the Celtic languages which contained a laryngeal, and identifies the regular results of the laryngeals in each phonetic environment. This allows him to formulate previously unrecognised sound changes affecting Proto-Celtic, and assess the competing explanations for other developments. This work has far-reaching consequences for the understanding of the historical phonology and morphology of the Celtic languages, and for etymological work involving the Celtic language, along with implications for Indo-European sound laws and the Indo-European syllable. A major conclusion is that the laryngeals cannot be used to argue for an Italo-Celtic language family.

Series:

Peter Schrijver

The languages belonging to the British subgroup of Celtic, i.e. Welsh, Cornish and Breton, have been the subject of thorough research for over a century now. Yet the phonological history of the prehistoric stages of these languages and the details of their connection with the other Celtic and Indo-European languages still present numerous unsolved issues. This volume aims to tackle the most acute problems of the historical phonology of British Celtic. Also it provides an up-to-date reference guide to British historical phonology in general, as well as a study of a large body of etymologies relevant to the correct evaluation of the historical phonology. This volume is of interest for the Celtologist, the Indo-Europeanist and the general historical linguist.

Michael Cooper

35 Michael Cooper MISSIOLOGICAL REFLECTIONS ON CELTIC CHRISTIANITY: Implications for Ministry in Western Culture* Introduction Whether one thinks of western culture as secular (Bruce 1996, 2002; see Stark 1999), ultramodern (Netland 2001; see Grenz 1996; Oden 2001), or postmodern (Oden 1990

Nicholas Zair

usefulness of this evidence for assessing the relative sonority of /m/ in PIE . In addition, I will adduce some further evidence, of differing degrees of strength, from Sanskrit, Greek, Oscan, Venetic, and Celtic (§ 4.3, 5.2, 5.3, 5.4). Leaving aside the question of ranking in Cooper’s OT approach, the

Series:

Marion Gibson

suspicion, real and unreal without judgement and classification. 4 ‘Celtic’ Contexts In The Thirty-Nine Steps both medium and detective also inhabit a further, ‘Celtic’, context that develops with them in British cinema over the next decade and a half until it becomes truly revolutionary. 8 In 1850, in

Ziegler, Sabine (Würzburg)

[German version] The Celtic languages (CL) belong to the group of  Centum languages within the  Indo-European languages. The hypothesis that the preliminary phases of the Italic and the Celtic language branch form a unit was long disputed. For morphological reasons in particular (common innovations