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1. Introduction In his London Times article of May 25th 1981 on the Daphnē excavation, Mario Modiano made no mention of the wooden aulos found in Grave IΙ together with all other artifacts contained in it. 1 A year later, Gilles Touchais does mention the aulos, describing it as a “wooden

In: Greek and Roman Musical Studies

[German version] Aulos, see  Musical instruments [German version] Stonemason of the 1st cent. BC, son of  Alexas, brother of Quintus. Signed works: Eros bound to tropaion (amethyst, London, BM), nailing down butterfly (hyacinth, The Hague, MK), bound (cameo, lost), with Aphrodite (carnelian, London

In: Brill's New Pauly Online

[1] see Musical instruments [German version] Aulos, see  Musical instruments Michel, Simone (Hamburg) [2

in Brill's New Pauly Online

controversy, concerns the type of the aulos mouthpiece. Although the debate on its nature and properties has been continuously going on, with varying dynamics, the arguments that have accumulated over time have never been collected in a comprehensive study. 2 Recently, a revival movement of ancient Greek

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In: Greek and Roman Musical Studies
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1. The Aulos Greek aulos finds so far can be classified according to various criteria: material, shape, bore diameter, number and placement of finger holes. The various pitches that an instrument can produce are primarily determined by the last, while the diameter of the bore (together with

In: Greek and Roman Musical Studies
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students were engaged in public competitions involving various sorts of musical activities including not only playing the lyre and the aulos , bot notably also rhythmographia and melographia , terms that most probably referred to instrumental and vocal composition. 12 All in all, we would therefore

In: Greek and Roman Musical Studies
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Although ubiquitous in Graeco-Roman musical culture and indispensable in the performative context, the aulos 1 became an object of fervent critique, as late fifth-century Athenian intellectual elites decided to strip the instrument of its previous distinguished cultural status. 2 While this

In: Greek and Roman Musical Studies
in Der Neue Pauly Online

IL DE PRINCIPE DI AULO GIANO ANISIO Sebastiano Valerio Nel complesso passaggio tra secolo XV e secolo XVI non vi è dubbio che la cultura umanistica, che si era nutrita dei grandi ideali classici e aveva con- cepito una institutio hominis che potesse restituire vitalità storica a quegli ideali, si

In: Acta Conventus Neo-Latini Upsaliensis (set, two volumes)