Vigiliae Christianae 63 (2009) 71-82 www.brill.nl/vc Vigiliae Christianae © Koninklijke Brill NV, Leiden, 2009 DOI: 10.1163/157007208X312743 Alleged Syriac Catchwords in the Gospel of Thomas P.J. Williams Tyndale House, 36 Selwyn Gardens, Cambridge, CB3 9BA, UK Abstract Nicholas Perrin in his
Nikolai Dobronravin
An ʿ A jamī book in Hausa about the Structural Adjustment Program . Tambayōyī talātin da amsōshinsu a kan “Saf” da ‘amfanin da aka-sāmu na “Saf”, Kaduna, [1989], p. 96 . Catchwords, Colophons and Other Elements of Book Design With a few exceptions, mentioned above, Nigerian market
Chapter
In See Under: Shoah
Edited by Marc De Kesel, Bettine Siertsema and Katarzyna Szurmiak
- 01 Jan 2014
Authentizität
Diskussion eines ästhetischen Begriffs
Edited by Susanne Knaller and Harro Müller
Erstmalig stellt dieses Buch die Theorie und Geschichte des ästhetischen Authentizitätsbegriffs vor und liefert Beiträge zu den Feldern Philosophie, Ästhetik, Literatur, Kunst, Musik, Film, Fotografie und Architektur. Unstrittig ist Authentizität mit seinem Bedeutungsfacetten Echtheit, Wahrhaftigkeit, Ursprünglichkeit, Unmittelbarkeit und Eigentlichkeit in der zweiten Hälfte des 20. Jh. zu einem allseits verwendeten Catchword geworden. Strittig sind allerdings Begriffsinhalt, Begriffsumfang, Verwendungsweise und der theoretische Ort dieses schillernden Begriffs. Der Band konzentriert sich auf den ästhetischen Authentizitätsbegriff und diskutiert unter theoretischen, systematischen, pragmatischen und historischen Gesichtspunkten dessen kognitive Validität. Mit Beiträgen von: Michael Wetzel, Gayatri Chakravorti Spivak, Jochen Mekke, Barbara Kuhn, K. Ludwig Pfeiffer, Volker Wortmann, Jürgen Fohrmann, Sandor Radnóti, Andreas Huyssen, Hans-Ulrich Reck, Rosalind Krauss, Reinhold Martin, Andrea Lapp, Susanne Knaller und Harro Müller.
Series:
Jocelyn McWhirter
share important words like eyes, see, hear, lifted up, glory, hate , and enemy . Second, John quotes Isa. 53:1 and Isa. 6:10 in tandem (John 12:38–41), suggesting that he interprets them together as prophecies about unbelief. Third, his narrative reiterates the catchwords eye, see, lifted up, glory
Chapter
In Reading the Gospel of John’s Christology as Jewish Messianism
Edited by Benjamin Reynolds and Gabriele Boccaccini
- 09 Jul 2018
Series:
Terry Falla
This second volume of
A Key to the Peshitta Gospels again provides a range of information, previously unpublished, essential to the study of the Peshitta Gospel text as a translation of the Greek and as a literary work in its own right. It is designed to serve both scholar and student.
The Key, in which each word is classified according to its Syriac root, provides a) a Syriac-English dictionary, b) the notation of the part of speech for each Syriac term, c) referenced contextual phrases in English that illustrate a word’s meanings, d) Syriac words of similar meaning, e) the corresponding Greek term for each Syriac term, f) a complete analytical concordance, g) an alphabetical index of Syriac catchwords, h) an index of Syriac verbal and nominal forms, i) an English index, j) an index of grammatical and general information.
The Key can be used as a lexicon, concordance, thesaurus, critical guide to Syriac-Greek correspondences, or resource for the critical investigation of the Syriac text of the Peshitta Gospels..
The Key, in which each word is classified according to its Syriac root, provides a) a Syriac-English dictionary, b) the notation of the part of speech for each Syriac term, c) referenced contextual phrases in English that illustrate a word’s meanings, d) Syriac words of similar meaning, e) the corresponding Greek term for each Syriac term, f) a complete analytical concordance, g) an alphabetical index of Syriac catchwords, h) an index of Syriac verbal and nominal forms, i) an English index, j) an index of grammatical and general information.
The Key can be used as a lexicon, concordance, thesaurus, critical guide to Syriac-Greek correspondences, or resource for the critical investigation of the Syriac text of the Peshitta Gospels..
Werner Waterschoot
typefaces of signature and catchword coincide. 34 K-L8: $5 With this compositor the figure `1' is always a lower case i ('K.i.', `L.i.'), whereas Bynneman's compositor always uses a lower case j. Signature and catchword are printed in the same typeface. Contents Alr. : Title-page. Alv. : blank. A2r.-A3v
Daniela Winkler and Christoph Knill
administrative structures have increasingly attracted the attention of legal and ad- ministrative analysts. One of the main topics of this branch of research based on the catchword 'European isation' is the question whether and to what extent these pro- cesses have led to the approximation of national legal and
Journal Article
In Journal for European Environmental & Planning Law
Edited by Moritz Reese
- 01 Jan 2006
Uwe Vagelpohl
and explores the implications for an understanding of translation beyond catchwords such as “literal,” “free” and “mistranslation.” Keywords Greek-Arabic translation, Aristotle, Rhetoric, Ibn Rushd, Middle Commentary, Talkhīs ̣ kitāb al-khit ̣ āba , reception Introduction In a previous paper, 1 I
Journal Article
In Oriens
Edited by Asad Q. Ahmed, Robert G. Morrison and Cornelia Schöck
- 01 Jan 2010