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Classical Greek Syntax

Wackernagel's Law in Herodotus

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David Goldstein

In Classical Greek Syntax: Wackernagel's Law in Herodotus, David Goldstein offers the first theoretically-informed study of second-position clitics in Ancient Greek and challenges the long-standing belief that Greek word order is ‟free” or beyond the reach of systematic analysis. On the basis of Herodotus’ Histories, he demonstrates that there are in fact systematic correspondences between clause structure and meaning. Crucial to this new model of the Greek clause is Wackernagel’s Law, the generalization that enclitics and postpositives occur in ‟second position,” as these classes of words provide a stable anchor for analyzing sentence structure. The results of this work not only restore word order as an interpretive dimension of Greek texts, but also provide a framework for the investigation of other areas of syntax in Greek, as well as archaic Indo-European more broadly.

Classical Greek Tactics

A Cultural History

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Roel Konijnendijk

What determined the choices of the Greeks on the battlefield? Were their tactics defined by unwritten moral rules, or was all considered fair in war? In Classical Greek Tactics: A Cultural History, Roel Konijnendijk re-examines the literary evidence for the battle tactics and tactical thought of the Greeks during the 5th and 4th centuries BC. Rejecting the traditional image of limited, ritualised battle, Konijnendijk sketches a world of brutally destructive engagements, restricted only by the stubborn amateurism of the men who fought. The resulting model of hoplite battle does away with most received wisdom about the nature of Greek battle tactics, and redefines the way they reflected the values of Greek culture as a whole.

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M. Haagsma

These thirteen papers, from a colloquium held at the Netherlands Institute at Athens in 2000, examine European scholarship's fascination with classical Greece during the 19th and 20th centuries. Arranged geographically and then thematically, the papers discuss Greek attitudes towards classical archaeology and literature, Germany and Neoclassicism, classical Greece in Dutch literature and the influence of Greece on Dutch politics, the influence of Alexander the Great and the Persian Wars, the classical element in Victorian verse and interpretations of Homeric epic.

Genre in Archaic and Classical Greek Poetry: Theories and Models

Studies in Archaic and Classical Greek Song, Vol. 4

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Edited by Margaret Foster, Leslie Kurke and Naomi Weiss

Genre in Archaic and Classical Greek Poetry foregrounds innovative approaches to the question of genre, what it means, and how to think about it for ancient Greek poetry and performance. Embracing multiple definitions of genre and lyric, the volume pushes beyond current dominant trends within the field of Classics to engage with a variety of other disciplines, theories, and models. Eleven papers by leading scholars of ancient Greek culture cover a wide range of media, from Sappho’s songs to elegiac inscriptions to classical tragedy. Collectively, they develop a more holistic understanding of the concept of lyric genre, its relevance to the study of ancient texts, and its relation to subsequent ideas about lyric.

Ezra la Roi

semantics of the potential optative in Classical Greek. 3 I chose these particles because of their remarkable distribution with the potential optative. 4 Currently, the difference in meaning of the potential optative when it is and when it is not combined with subjective particles such as ἦ (and ἄρα) is

Peter Barber

This entry provides a survey of classical Greek morphology, looking at the nominal and pronominal systems, gender, number and case; prepositions and particles; the structure of the verbal system, including discussion of the formation of tense/aspect stems, moods, suppletion and diathesis. The main

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Emiliano J. Buis

In Taming Ares Emiliano J. Buis examines the sources of classical Greece to challenge both the state-centeredness of mainstream international legal history and the omnipresence of war and excessive violence in ancient times. Making ample use of epigraphic as well as literary, rhetorical, and historiographical sources, the book offers the first widespread account of the narrative foundations of the (il)legality of warfare in the classical Hellenic world. In a clear yet sophisticated manner, Buis convincingly proves that the traditionally neglected study of the performance of ancient Greek poleis can contribute to a better historical understanding of those principles of international law underlying the practices and applicable rules on the use of force and the conduct of hostilities.

Sophia A. Malamud, Iryna Osadcha and Jana E. Beck

© Koninklijke Brill NV, Leiden, 2012 DOI: 10.1163/156658412X649986 Journal of Greek Linguistics 12 (2012) 51–83 brill.nl/jgl A Semantics for the Particle 3ν in and outside Conditionals in Classical Greek Jana E. Beck, a Sophia A. Malamud, b and Iryna Osadcha c * a) University of Pennsylvania

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Joseph W. Day

, I. , eds., 2010 . Archaic and Classical Greek Epigram . Cambridge and New York . Biles , Z. P. 2011 . “Pride and paradox in IG I 3 833bis.” Mnemosyne 64 : 183 – 205 . Bing , P. 2002 . “The un-read Muse? Inscribed epigram and its readers in antiquity.” In M. A. Harder