Dianjianglu 点将录 (the record of the ranked poets) should be considered a method of literary criticism with distinct characteristics in terms of its form and content. Dianjianglu has an independent form, an inclusive content and openness. It has both the casualness of traditional poetic verse and the commentary and preciseness of modern essays and books. In addition, dianjianglu expresses the essence of traditional Chinese literary criticism and also maintained a flexible form. Thus, the national characteristics and the modern significance of dianjianglu should be given more attention.
Taking the profound impacts of generalized system, new electronic media, and subculture into consideration, this paper holds that, presently China has entered an era of comprehensive social transition, along with the tendency that the era of the former unified or centralized literature (criticism) values will come to an end. For this reason, literary criticism will probably go into public space in a generalized form. The formation and bearing of public reason and social justice or moral law should become the conscious duty of current literary criticism. This article, whose textbook cases arise, in the main, out of Renminwenxue put out from 1949 to 1976, states how the accredited commission to write on the given topics in the general sense has acquired the special status of political culture, and therefore assumed the specially-designated significance, function and value in the literary institution of modern China. And organizing manuscripts not only occupies a direct role in being involved in the creation of literature, but also makes a subtly different history of literature that gives a reflection of the politically motivating force for the authorized literary compositions.
of contemporary literarycriticism to Internet portals, the result will be its increased dispersion, making criticism, by nature already fragmentary, not only invisible but literally transforming it into empty talk. If, on the other hand, literarycriticism tries to ‘migrate’ into literary
Literarycriticism is the practice of assessing all kinds of literature in order to give the reading public guidance regarding recent publications, based on contemporary aesthetic and cultural values. Literarycriticism also scrutinizes canonized classical texts and considers aspects of literary
Literarycriticism seeks to appraise the value, quality, form, or meaning of literary and other artistic productions or cultural artifacts. “Criticism” is derived from the Gk. verb krinō, “discern, judge.” In some cases literarycriticism is synonymous with hermeneutics or other methods of
[German version] Literarycriticism (LC) (from Greek krínein) refers, in antiquity, to the process of ‘differentiating’ between and ‘evaluating’ different kinds of language - literary and non-literary - and their positive effects and respective benefit for the societies in which both types of texts
Because of the very close ties between literature and politics in pre-modern as well as modern China, literarycriticism has a higher intrinsic value than is the case in Western cultures. It is not an esthetic 'glass bead game', nor is it hidden in the feature pages supplement, but it has
. 2011) and determined the place of irony within the context of other figurative uses of language (cf. Wilson and Sperber, 2012 ; Ruiz de Mendoza and Galera, 2014; Athanasiadou, 2017 ). In the camp of literarycriticism, we have well-known work by Muecke (1970) , Booth (1974) , Hutcheon (1994
[German Version] The concept of literarycriticism appears to have been created in order to designate the direction of biblical exegesis (V, 4; Biblical scholarship), from which the History of Religions School chose to demarcate itself. Unlike the historians of religion, however, it is not possible