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Edited by Owen Hodkinson, Patricia Rosenmeyer and Evelien Bracke

The literary letter was one of the most versatile and popular forms of writing in Greek antiquity, yet one of the least widely studied today. The use of the letter within narrative or as narrative medium is something which the Ancient Greek literary tradition established as central to the western world (especially through the letters of Plato, Hippocrates and the Christian epistolographers). This volume presents detailed literary readings of a wide range of Greek literary letter collections. By comparison of the various narrative strategies taken within Greek epistolary texts across a range of genres, cultural backgrounds, and time periods, the volume takes a significant step towards the appreciation of Greek epistolary collections as a unique literary phenomenon.

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Edited by S.J. Bakker and G.C. Wakker

Central in this volume of the 6th International Colloquium on Ancient Greek Linguistics is the question how cohesion is created in Ancient Greek texts. The contributions to the volume either discuss the various cohesive devices that occur in a specific text or focus on the use and function of a particular cohesion device in a larger corpus. Apart from the use of pronomina and particles, less standard cohesive devices, like the use of tense and the grammatical form of complements, are taken into consideration. The result is a volume that gives a good impression of recent research in the field of Greek linguistics, not only of interest for classical scholars, but also for general linguists interested in discourse coherence cnd cohesion.

Contributors include: Rutger J. Allan, Stéphanie J. Bakker, Louis Basset, Anna Bonifazi, Annemieke Drummen, Marietje (A.M.) van Erp Taalman Kip, Coulter H. George, Luuk Huitink, Sander Orriens, Annemieke van der Plaat, Antonio Revuelta, Albert Rijksbaron and Gerry C. Wakker.

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Edited by Antonios Augoustakis

Flavian Poetry and its Greek Past breaks new ground by investigating the close interaction between Flavian poetry and Greek literary tradition and by evaluating the meaning of this affiliation in the socio-political and cultural context of the late first century CE. Authors examined include Martial, Silius Italicus, Statius, and Valerius Flaccus. Their interaction with Greek literature is not just thematic or geographical: the Greek literary past is conceived as the poetic influence of a variety of authors, periods, and genres, such as Homer, the Cyclic tradition, Greek lyric poetry, Greek tragedy, Hellenistic poetry and aesthetics, and Greek historiography.

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Edited by George Harrison and Vayos Liapis

In recent years, classicists have begun aggressively to explore the impact of performance on the ways in which Greek and Roman plays are constructed and appreciated, both in their original performance context and in reperformances down to the present day. While never losing sight of the playscripts, it is necessary to adopt a more inclusive point of view, one integrating insights from archaeology, art, history, performance theory, theatre semiotics, theatrical praxis, and modern performance reception. This volume contributes to the restoration of a much-needed balance between performance and text: it is devoted to exploring how performance-related considerations (including stage business, masks, costumes, props, performance space, and stage-sets) help us attain an enhanced appreciation of ancient theatre.

Time in Ancient Greek Literature

Studies in Ancient Greek Narrative, Volume 2

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Edited by Irene J.F. de Jong and René Nünlist

This is the second volume in a series of volumes which together will provide an entirely new history of ancient Greek (narrative) literature. Its organization is formal rather than biographical. It traces the history of central narrative devices, such as the narrator and his narratees,time, focalization, characterization, and space. It offers not only analyses of the handling of such a device by individual authors, but also a larger historical perspective on the manner in which it changes over time and is put to different uses by different authors in different genres. The present volume deals with time: changes in the order of events (analepsis versus prolepsis), the speed of narration (events may be recounted scenically or in the form of a summary), and frequency (events may be recounted once, repeatedly, or not at all).

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Florence Yoon

Anonymous characters appear in almost every extant Greek Tragedy, yet they have long been overlooked in critical scholarship. This book argues that the creation and use of anonymous figures is an important tool in the transformation of traditional mythological heroes into unique dramatic characters. Through close reading of the passages in which nameless characters appear, this study demonstrates the significant impact of their speech, actions, and identity on the characterization of the particular named heroes to whom they are attached. Exploring the boundaries between anonymity and naming in mythico-historical drama, the book draws attention to an important but neglected aspect of the genre, suggesting a new perspective from which to read, perform, and appreciate Greek Tragedy.

Alexis Kalokerinos

Journal of Greek Linguistics 5 (2004), 27–80 . issn 1566–5844 / e-issn 1569–9856 © John Benjamins Publishing Company The justifying connection, mostly in Greek Alexis Kalokerinos University of Crete I examine in this article the discourse function of the Greek connectives jati , epiδi , and afu

Characterization in Ancient Greek Literature

Studies in Ancient Greek Narrative, vol. 4

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Edited by Koen De,Temmerman and Evert van Emde Boas

Characterization in Ancient Greek Literature is the fourth volume in the series Studies in Ancient Greek Narrative. The book deals with the narratological concepts of character and characterization and explores the textual devices used for purposes of characterization by ancient Greek authors spanning a large historical period (from Homer to Heliodorus) and a variety of literary genres (epic, elegy, historiography, choral lyric, drama, oratory, philosophy, biography, and novel). The book’s aim is not only to describe these devices, but also to investigate their effects and the implications of their use for our interpretation of the texts.

Daniel Kölligan

1 Desideratives in -σειε/ο- 1.1 Attestations Ancient Greek has a present stem formation in -σειε/ο- with “desiderative” meaning, i.e. expressing the intention of the subject to bring about a state of affairs. The first and only instance in Homer is the

The Noun Phrase in Ancient Greek

A Functional Analysis of the Order and Articulation of NP Constituents in Herodotus

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Stéphanie J. Bakker

The structure of the noun phrase in Ancient Greek is extremely flexible: the various constituents may occur in almost every possible order and each constituent may or may not be preceded by an article. However, the use and function of the various options have received very little attention. This book tries to fill that gap. A functional analysis of the structure of the NP in Herodotus illucidateswhich arguments lead a native speaker in his choice to select one of the various possible NP patterns. The results do not only increase our knowledge of the NP, but also lead to a better interpretation of Ancient Greek texts.