of how resistance turns into intractability. Building on earlier studies from social-psychology on entrapment in negotiations, (Edmead 1971; Teger 1980; Brockner & Rubin 1985; Rubin et al. 1994) this article will develop a conceptual framework of entrapment as a precondition to intractability
comparison with packaging litter (Groot, 2020), it can be seen as a typical example of our single-use society. Both masks and gloves pose a risk of entanglement, entrapment and ingestion, which are some of the main environmental impacts of plastic pollution (Ryan, 2018; Kuhn & van Franeker, 2020). Plastic
This article is concerned with the female body in Samuel Beckett's drama, and how often the female characters are shown as trapped and immobile. My main focus is on , and the paradoxical nature of Winnie's entrapment, and her attitude to it. I make particular reference to C. G. Jung's Third Tavistock Lecture, which was attended by Beckett and obviously affected him quite profoundly, as he made reference to it throughout his career, for example in , and also during rehearsals when advising female actors how to approach their characters. It seems to me that the ideas Jung expressed in this lecture help to illuminate both Winnie's plight, and her seeming indifference to it, whilst also helping to elucidate the extreme responses, from both actors and audiences, to this highly charged dramatic image of a woman trapped, up to her waist and then to her neck, in a mound of earth.
entrapped in a constant ‘state of expectancy’ created by restrictive – yet under special circumstances promising – residence permit policies, which standardize their exploitation within diverse agricultural settings in Greece. This comes as no surprise. The restructuring of European agricultural production
This paper aims to analyze the asymmetric dilemma facing the Philippines and China in the South China Sea tensions. Among American East Asian allies, the Philippines seems to stand on the frontline between two rival powers, the United States and China. Since the US declared its Pivot to Asia policy, the Philippines’ foreign policy towards China has become assertive and sometimes appears reckless with some military adventures against Chinese maritime patrols and naval ships, which also further forced China to take a tougher foreign policy against the Philippines. Considering the distinctive asymmetric indicators between China and the Philippines based on military forces, economic capacity, territorial size, and population, the aggressive policy behaviors that the Philippines and China have been displaying against each other cast an inquiry on what drives the two countries into head-to-head collision. While China as the larger power vis-à-vis the Philippines as the smaller power in the relationship has aimed for control and domination of their disputed territory, the Philippines’ drastic defiance has also led to China’s irritation and possible frustration. Furthermore, the US’ renewed attention to Asia has caused shifts of asymmetric bilateral dilemma to triangular entanglement between the US–China–Philippines. It is vital therefore to pay attention to the asymmetric interaction of states and their varying views in order to find possible solutions to the SCS tensions.
BEN STADA AND PETER IN LYDDA BY JOSHUA SCHWARTZ Ramat Gan An enigmatic Rabbinic tradition relates that a certain Ben Stada advocated some type of cult or religion outside the framework of normative Judaism, ac- cordingly, he was entrapped by witnesses specifically planted for that purpose
Matters of rhetorical concern interpreted here include the superimposed cycle-motif and tribal-political schemata, concerns reflected in the plot-layers of each hero story, the force of narrative analogy for characterization, the strategy of entrapment which foreshadows portrayals of Saul and David in 1 Samuel, and the relation between Judges' implied situation of composition and its compiler's intention.
In addition to offering new insights into the rhetorical strategy of the Judges compiler, this book illustrates a new method for understanding how plot-layered stories work.