Pietro Castelli Gattinara, Caterina Froio and Matteo Albanese

of radical political organizations, the study of contemporary extreme-right organizations at times of crisis remains rather underdeveloped. 8 Previous research has established that there is a connection between economic crises and the emergence of fascism, and that the critique of neo-liberalism and

Nigel Copsey

understanding developments on the contemporary far right in (Western) Europe, have we really witnessed the emergence of a ‘new’ breed of fascists - a ‘neo-fascism’ that has adapted itself to the norms of multi-ethnic, liberal-democratic society? A ‘designer fascism’ that is fit for the twenty-first century

Roger Griffin

the history of the French extreme right, 34 accounts of the cultural vision of British fascism 35 and neo-fascism, 36 and analyses of fascism in inter-war Romania 37 and post-Soviet Russia 38 all assume a ‘culturalist’ and regenerative premise about fascism’s future-oriented modernizing, and

Henrik Arnstad

there is no reason to think that Swedish fascism was an exception to this. There are clear links between the Engdahl movement and today’s Swedish fascism, primarily represented by the parliamentary neo-fascist Sweden Democrats ( sd ). According to the historian Lena Berggren, this party ‘has deep

Đorđe Tomić

-Yugoslav societies, the most striking example being the creation of ethnically cleansed territories, like the Republika Sprska in today’s Bosnia-Herzegovina. Nationalism has also been discursively normalized in all other post-Yugoslav societies during the last twenty years. Right-wing extremism or neo-fascism was

Elisabetta Cassina Wolff

dimension of cpi ideological discourse is directly inspired by the social (leftist) current that has always existed in Italian Fascism and neo-fascism. 22 The party refers mostly to the social and labor legislation during the regime: the Labor Charter from 1927, the Verona Manifesto from 1943, and in


Paul Jackson

summarise related trends in fascism studies, provide an analysis of conspiracy theories, and wider reflections on religion, to develop an approach to the topic that allows for interpreting the many neo-Nazi groups that have developed in the post-1945 period as collectively constituting a part of the cultic

Roger Griffin

times on neo-classical statues: first, the Monument to Work which is followed by the documentary on the Reich’s architectural transformation; then on a naked bronze athlete standing, right arm aloft, in triumphant pose before four rearing horses (an allusion to the quadriga atop the Brandenburg Gate