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A Critical Edition of a Seventeenth-century Volga-Turkī Source
Editor / Translator:
The Book of the Činggis Legend is a product of the steppe’s oral historiography, referring to events from the 13th−17th centuries, and presents the collective historical consciousness of the nomadic peoples of the Volga region's Turco-Tatar world.
The stories offer abundant information on the society, way of thinking and morals of the nomads, one of them can even be regarded as a kind of nomad “mirror of princes”. The other ones incorporate such crucial events in the Volga region as the islamization of nomad clans, epidemic, famine, the appearance of Halley’s Comet, the uprising of the Bashkirs, etc.
This book includes the first critical text edition of the source, the first full translation into English along with a glossary, historical comments, a huge apparatus and the three most complete facsimiles of the manuscript.
Volume Editors: and
The nine contributions collected in this volume deal with clause linkage, focussing on asyndetic constructions that have been little researched in the area of the Ob-Yenisei region. The approaches are in-depth studies of particular languages and mostly based on original data collected in recent fieldworks or from corpora. Differences can be observed, among other things, in a more verbal or nominal use of converbs which take an important role in clause linkage strategies.
Iran and the Caucasus Monographs is a double-anonymous peer-reviewed book series that covers recent findings in Irano-Indian, Caucasian, Near-Eastern, Armenian, and Turkic studies. The focus will be on linguistics and philology, history, archaeology, anthropology, history of religions, art history, as well as ethnopolitical and security issues concerning the said regions. The Series includes short monographs presenting original research, revised high-quality theses, commissioned edited volumes, festschrifts, opera minora of prominent scholars, and scholarly translations with commentaries and appropriate apparatus. The predominant language of the volumes in the Series is English, but German and French submissions are welcome too.
Author:
These essays are the revised and updated version of four lectures given in the Yarshater Lecture Series, at SOAS in London in 2013. They concern some aspects of the arts from pre-modern Iran and India, namely, the “making of” of Persian illustrated manuscripts, the iconography of Kashan wares, the use and re-use of luster tiles in Ilkhanid Iran, and the glazed tiles made in three Indian sultanates (Delhi, Bengal and Malwa). These four topics share concepts of influence and impact, although inflected on different modes. The productions they embody represent many poles of influence, even if working on different scales, from the extensive diffusion of products, techniques, and systems to almost isolated productions.
History, Politics, and the Emergence of Shamanism in Transbaikalia
Author:
Do religious traditions not related to written texts have a history? The author explores this question using Buryat shamanism as a case study. Disentangling this religious tradition from its presumed ahistorical space, he places the history of Buryat shamanism in the context of sociopolitical events that unfolded in Mongolia and Transbaikalia between the late 16th and the 19th centuries.
3. The Sun Rises, Stuart Blackburn
2. Himalayan Tribal Tales, Stuart Blackburn
1. Through the Eye of Time, Michael Aram Tarr and Stuart Blackburn
Texts, Traditions and Practices, 10th-21st Centuries
Memory and Commemoration across Central Asia: Texts, Traditions and Practices, 10th-21st Centuries is a collection of fourteen studies by a group of scholars active in the field of Central Asian Studies, presenting new research into various aspects of the rich cultural heritage of Central Asia (including Afghanistan). By mapping and exploring the interaction between political, ideological, literary and artistic production in Central Asia, the contributors offer a wide range of perspectives on the practice and usage of historical and religious commemoration in different contexts and timeframes. Making use of different approaches – historical, literary, anthropological, or critical heritage studies, the contributors show how memory functions as a fundamental constituent of identity formation in both past and present, and how this has informed perceptions in and outside Central Asia today.