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The World of Kusazōshi
Part of a formidable publishing industry, cheap yet eye-catching graphic narratives consistently charmed early modern Japanese readers for around two hundred years. These booklets were called kusazōshi (“grass books”).
Graphic Narratives from Early Modern Japan is the first English-language publication of its kind. It enables anyone new to kusazōshi to gain comprehensive knowledge of the field. For the specialist, our edited volume marks a turning point in scholarship, uncovering fresh research avenues.
While exploring the powerful effects of the visual-verbal imagination, this collection opens up bold new vistas on the act of reading and advances provocations around comics and manga.
Contributors are: Jaqueline Berndt, Joseph Bills, Michael Emmerich, Adam L. Kern, Fumiko Kobayashi, Frederick Feilden, Laura Moretti, Matsubara Noriko, Satō Satoru, Satō Yukiko, Satoko Shimazaki, Takagi Gen, Tanahashi Masahiro, Ellis Tinios, Tsuda Mayumi and, Glynne Walley.
Graphic Narratives from Early Modern Japan is the first English-language publication of its kind. It enables anyone new to kusazōshi to gain comprehensive knowledge of the field. For the specialist, our edited volume marks a turning point in scholarship, uncovering fresh research avenues.
While exploring the powerful effects of the visual-verbal imagination, this collection opens up bold new vistas on the act of reading and advances provocations around comics and manga.
Contributors are: Jaqueline Berndt, Joseph Bills, Michael Emmerich, Adam L. Kern, Fumiko Kobayashi, Frederick Feilden, Laura Moretti, Matsubara Noriko, Satō Satoru, Satō Yukiko, Satoko Shimazaki, Takagi Gen, Tanahashi Masahiro, Ellis Tinios, Tsuda Mayumi and, Glynne Walley.
The World of Kusazōshi
Part of a formidable publishing industry, cheap yet eye-catching graphic narratives consistently charmed early modern Japanese readers for around two hundred years. These booklets were called kusazōshi (“grass books”).
Graphic Narratives from Early Modern Japan is the first English-language publication of its kind. It enables anyone new to kusazōshi to gain comprehensive knowledge of the field. For the specialist, our edited volume marks a turning point in scholarship, uncovering fresh research avenues.
While exploring the powerful effects of the visual-verbal imagination, this collection opens up bold new vistas on the act of reading and advances provocations around comics and manga.
Contributors are: Jaqueline Berndt, Joseph Bills, Michael Emmerich, Adam L. Kern, Fumiko Kobayashi, Frederick Feilden, Laura Moretti, Matsubara Noriko, Satō Satoru, Satō Yukiko, Satoko Shimazaki, Takagi Gen, Tanahashi Masahiro, Ellis Tinios, Tsuda Mayumi and, Glynne Walley.
Graphic Narratives from Early Modern Japan is the first English-language publication of its kind. It enables anyone new to kusazōshi to gain comprehensive knowledge of the field. For the specialist, our edited volume marks a turning point in scholarship, uncovering fresh research avenues.
While exploring the powerful effects of the visual-verbal imagination, this collection opens up bold new vistas on the act of reading and advances provocations around comics and manga.
Contributors are: Jaqueline Berndt, Joseph Bills, Michael Emmerich, Adam L. Kern, Fumiko Kobayashi, Frederick Feilden, Laura Moretti, Matsubara Noriko, Satō Satoru, Satō Yukiko, Satoko Shimazaki, Takagi Gen, Tanahashi Masahiro, Ellis Tinios, Tsuda Mayumi and, Glynne Walley.
Editor:
Exploring an array of captivating topics, from hybridized Buddhist music to AI singers, this book introduces Japanese music in the modern era. The twenty-five chapters show how cultural change from the late nineteenth century to the present day has had a profound impact on the Japanese musical landscape, including the recontextualization and transformation of traditional genres, and the widespread adoption of Western musical practices ranging from classical music to hip hop.
The contributors offer representative case studies within the themes of Foundations, Heritage, Institutions, and Hybridities, examining both musical styles that originated in earlier times and distinctly localized or Japanized musical forms.
The contributors offer representative case studies within the themes of Foundations, Heritage, Institutions, and Hybridities, examining both musical styles that originated in earlier times and distinctly localized or Japanized musical forms.
Editor:
Exploring an array of captivating topics, from hybridized Buddhist music to AI singers, this book introduces Japanese music in the modern era. The twenty-five chapters show how cultural change from the late nineteenth century to the present day has had a profound impact on the Japanese musical landscape, including the recontextualization and transformation of traditional genres, and the widespread adoption of Western musical practices ranging from classical music to hip hop.
The contributors offer representative case studies within the themes of Foundations, Heritage, Institutions, and Hybridities, examining both musical styles that originated in earlier times and distinctly localized or Japanized musical forms.
The contributors offer representative case studies within the themes of Foundations, Heritage, Institutions, and Hybridities, examining both musical styles that originated in earlier times and distinctly localized or Japanized musical forms.
Transnational Approaches to Modern Japan and the Wider World
The 'Opening of Japan' has been central to the retelling of Japan's modern history. Reopening the Opening of Japan fundamentally reconsiders what that historical moment entailed. What did intensified connections between Japan and the world mean both inside and outside of the country, and what does this tell us about Japan's historical significance on a global scale? The chapters excavate a rich array of surprising cross-border connections, from the global trade in mummified mermaids to the Japanese-Russian intellectual links underpinning the work of Akira Kurosawa.
Re-thinking connectivity through non-state transnational perspectives, the book guides readers to new ways of doing and writing history.
Contributors are: Lewis Bremner, Natalia Doan, Manimporok Dotulong, Maki Fukuoka, Eiko Honda, Sho Konishi, Mateja Kovacic, Joel Littler, Chinami Oka, Yu Sakai, Olga Solovieva, and Warren Stanislaus.
Re-thinking connectivity through non-state transnational perspectives, the book guides readers to new ways of doing and writing history.
Contributors are: Lewis Bremner, Natalia Doan, Manimporok Dotulong, Maki Fukuoka, Eiko Honda, Sho Konishi, Mateja Kovacic, Joel Littler, Chinami Oka, Yu Sakai, Olga Solovieva, and Warren Stanislaus.
Transnational Approaches to Modern Japan and the Wider World
The 'Opening of Japan' has been central to the retelling of Japan's modern history. Reopening the Opening of Japan fundamentally reconsiders what that historical moment entailed. What did intensified connections between Japan and the world mean both inside and outside of the country, and what does this tell us about Japan's historical significance on a global scale? The chapters excavate a rich array of surprising cross-border connections, from the global trade in mummified mermaids to the Japanese-Russian intellectual links underpinning the work of Akira Kurosawa.
Re-thinking connectivity through non-state transnational perspectives, the book guides readers to new ways of doing and writing history.
Contributors are: Lewis Bremner, Natalia Doan, Manimporok Dotulong, Maki Fukuoka, Eiko Honda, Sho Konishi, Mateja Kovacic, Joel Littler, Chinami Oka, Yu Sakai, Olga Solovieva, and Warren Stanislaus.
Re-thinking connectivity through non-state transnational perspectives, the book guides readers to new ways of doing and writing history.
Contributors are: Lewis Bremner, Natalia Doan, Manimporok Dotulong, Maki Fukuoka, Eiko Honda, Sho Konishi, Mateja Kovacic, Joel Littler, Chinami Oka, Yu Sakai, Olga Solovieva, and Warren Stanislaus.
Traces of a Forgotten Ritual in Ancient Myths and Legends
Author:
The first book that deals with the territorial cults of early Japan by focusing on how such cults were founded in ownerless regions. Numerous ancient Japanese myths and legends are discussed to show that the typical founding ritual was a two-phase ritual that turned the territory into a horizontal microcosm, complete with its own ‘terrestrial heaven’ inhabited by local deities.
Reversing Mircea Eliade’s popular thesis, the author concludes that the concept of the human-made horizontal microcosm is not a reflection but the source of the religious concept of the macrocosm with gods dwelling high up in the sky.
The open access publication of this book has been published with the support of the Swiss National Science Foundation.
Reversing Mircea Eliade’s popular thesis, the author concludes that the concept of the human-made horizontal microcosm is not a reflection but the source of the religious concept of the macrocosm with gods dwelling high up in the sky.
The open access publication of this book has been published with the support of the Swiss National Science Foundation.
Traces of a Forgotten Ritual in Ancient Myths and Legends
Author:
The first book that deals with the territorial cults of early Japan by focusing on how such cults were founded in ownerless regions. Numerous ancient Japanese myths and legends are discussed to show that the typical founding ritual was a two-phase ritual that turned the territory into a horizontal microcosm, complete with its own ‘terrestrial heaven’ inhabited by local deities.
Reversing Mircea Eliade’s popular thesis, the author concludes that the concept of the human-made horizontal microcosm is not a reflection but the source of the religious concept of the macrocosm with gods dwelling high up in the sky.
The open access publication of this book has been published with the support of the Swiss National Science Foundation.
Reversing Mircea Eliade’s popular thesis, the author concludes that the concept of the human-made horizontal microcosm is not a reflection but the source of the religious concept of the macrocosm with gods dwelling high up in the sky.
The open access publication of this book has been published with the support of the Swiss National Science Foundation.
In early modern Japan, upper status groups coveted pills and powders made of exotic foreign ingredients such as mummy and rhinoceros horn. By the early twentieth century, over-the-counter-patent medicines, and, more alarmingly, morphine, had become mass commodities, fueling debates over opiates in Japan’s expanding imperial territories.
The fall of the empire and the occupation of Japan by the United States created conditions favorable for heroin use, followed, in time, by glue sniffing and psychedelic mushroom ingestion.
By illuminating the neglected history of drugs, this volume highlights both the transnational embeddedness and national peculiarities of the “politics of consumption” in Japan.
Contributors are: Anna Andreeva, Oleg Benesch, William G. Clarence-Smith, Hung Bin Hsu, John Jennings, Miriam Kingsberg Kadia, William Marotti, Kōji Ozaki, Jonas Rüegg, Jesús Solís, Christopher W.A. Szpilman, Judith Vitale, and Timothy Yang.
The fall of the empire and the occupation of Japan by the United States created conditions favorable for heroin use, followed, in time, by glue sniffing and psychedelic mushroom ingestion.
By illuminating the neglected history of drugs, this volume highlights both the transnational embeddedness and national peculiarities of the “politics of consumption” in Japan.
Contributors are: Anna Andreeva, Oleg Benesch, William G. Clarence-Smith, Hung Bin Hsu, John Jennings, Miriam Kingsberg Kadia, William Marotti, Kōji Ozaki, Jonas Rüegg, Jesús Solís, Christopher W.A. Szpilman, Judith Vitale, and Timothy Yang.
In early modern Japan, upper status groups coveted pills and powders made of exotic foreign ingredients such as mummy and rhinoceros horn. By the early twentieth century, over-the-counter-patent medicines, and, more alarmingly, morphine, had become mass commodities, fueling debates over opiates in Japan’s expanding imperial territories.
The fall of the empire and the occupation of Japan by the United States created conditions favorable for heroin use, followed, in time, by glue sniffing and psychedelic mushroom ingestion.
By illuminating the neglected history of drugs, this volume highlights both the transnational embeddedness and national peculiarities of the “politics of consumption” in Japan.
Contributors are: Anna Andreeva, Oleg Benesch, William G. Clarence-Smith, Hung Bin Hsu, John Jennings, Miriam Kingsberg Kadia, William Marotti, Kōji Ozaki, Jonas Rüegg, Jesús Solís, Christopher W.A. Szpilman, Judith Vitale, and Timothy Yang.
The fall of the empire and the occupation of Japan by the United States created conditions favorable for heroin use, followed, in time, by glue sniffing and psychedelic mushroom ingestion.
By illuminating the neglected history of drugs, this volume highlights both the transnational embeddedness and national peculiarities of the “politics of consumption” in Japan.
Contributors are: Anna Andreeva, Oleg Benesch, William G. Clarence-Smith, Hung Bin Hsu, John Jennings, Miriam Kingsberg Kadia, William Marotti, Kōji Ozaki, Jonas Rüegg, Jesús Solís, Christopher W.A. Szpilman, Judith Vitale, and Timothy Yang.
From Sanguozhi yanyi to Samgukchi
Author:
This book is a comparative exploration of the impact of a celebrated Chinese historical novel, the Sanguozhi yanyi (Three Kingdoms) on the popular culture of Korea since its dissemination in the sixteenth century.
It elucidates not only the reception of Chinese fiction in Chosŏn Korea (1392–1910), but also the fascinating ways in which this particular story lives on in modern Korea. The author specifically explores the dissemination, adaptations, and translations of the work to elucidate how Three Kingdoms has spoken to Korean readers. In short, this book shows how a quintessentially Chinese work equally developed into a Korean work.
It elucidates not only the reception of Chinese fiction in Chosŏn Korea (1392–1910), but also the fascinating ways in which this particular story lives on in modern Korea. The author specifically explores the dissemination, adaptations, and translations of the work to elucidate how Three Kingdoms has spoken to Korean readers. In short, this book shows how a quintessentially Chinese work equally developed into a Korean work.
From Sanguozhi yanyi to Samgukchi
Author:
This book is a comparative exploration of the impact of a celebrated Chinese historical novel, the Sanguozhi yanyi (Three Kingdoms) on the popular culture of Korea since its dissemination in the sixteenth century.
It elucidates not only the reception of Chinese fiction in Chosŏn Korea (1392–1910), but also the fascinating ways in which this particular story lives on in modern Korea. The author specifically explores the dissemination, adaptations, and translations of the work to elucidate how Three Kingdoms has spoken to Korean readers. In short, this book shows how a quintessentially Chinese work equally developed into a Korean work.
It elucidates not only the reception of Chinese fiction in Chosŏn Korea (1392–1910), but also the fascinating ways in which this particular story lives on in modern Korea. The author specifically explores the dissemination, adaptations, and translations of the work to elucidate how Three Kingdoms has spoken to Korean readers. In short, this book shows how a quintessentially Chinese work equally developed into a Korean work.
Series Editors:
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