Receptions of Greek and Roman Antiquity in East Asia is an interdisciplinary, collaborative, and global effort to examine the receptions of the Western Classical tradition in a cross-cultural context. The inclusion of modern East Asia in Classical reception studies not only allows scholars in the field to expand the scope of their scholarly inquiries but will also become a vital step toward transcending the meaning of Greco-Roman tradition into a common legacy for all of human society.
Ideas and Practices in State Monopoly of Maritime Violence in Europe and Asia in the Period of Transition
In the Name of the Battle against Piracy discusses antipiracy campaigns in Europe and Asia in the 16th-19th centuries. Nine contributors argue how important antipiracy campaigns were for the establishment of a (colonial) state, because piracy was a threat not only to maritime commerce, but also to its sovereignty. 'Battle against piracy' offered a good reason for a state to claim its authority as the sole protector of people, and to establish peace, order, and sovereignty. In fact, as the contributors explain, the story was not that simple, because states sometimes attempted to make economic and political use of piracy, while private interests were strongly involved in antipiracy politics. State formation processes were not clearly separated from non-state elements. Contributors are: Kudo Akihito, Satsuma Shinsuke, Suzuki Hideaki, Lakshmi Sabramanian, Ota Atsushi, James Francis Warren, Fujita Tatsuo, Murakami Ei, and Toyooka Yasufumi.
Modes of Urban Representation in the Works of Nagai Kafū (1879-1959)
Gala Maria Follaco
In A Sense of the City, Gala Maria Follaco examines Nagai Kafū’s (1879-1959) literary construction of urban spatialities from late Meiji through the early Shōwa period. She argues that Kafū’s urban critique was based on his awareness of the cultural sedimentation of the cityscape and of the complex relationship that it bore with the historical framework of modern Japan. With the overall aim to define Kafū’s position within pre-war Japanese literature, Follaco touches upon key issues such as memory, class difference, and language ideologies; draws connections between his sojourn abroad and strategies of “mapping” the city of Tokyo in his literature; and takes into account works previously understudied, including his biography of Washizu Kidō and his photographs.