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The apocryphal Apocalypse of Paul (Visio Pauli) plunges us right into the heart of early-Christian conceptions of heaven and hell. Its vivid eyewitness account of otherworldly punishment and reward was translated into many different languages and inspired numerous later authors, among whom Dante. This book offers a re-edition and English translation of the ancient Coptic version. An exhaustive commentary makes the text accessible and situates it in the time and place where it was written, fourth-century Egypt. As this new study shows, the Coptic version is by far the best available witness of the original Apocalypse of Paul.
The Philosophical Critique of Christianity in Late Antiquity and the Enlightenment
The present study, for the first time, provides a comparative analysis of the objections raised against Christianity by late antique pagan philosophers (esp. Celsus in Alethes logos, Porphyry in Contra Christianos, and Julian the Apostate in Contra Gali-laeos) and Enlightenment philosophers and freethinkers and examines the impact of pagan thinking on the critique of Christianity in the 16th to 18th centuries – in particular, on discussions concerning the authority of the Bible, biblical exegesis, the Christian concept of faith, religious coercion and the uniformity of faith, the belief in miracles, and the Christ-ian understanding of morality.
What does 'performance' mean in Christian culture? How is it connected to rituals, dramatic and visual arts, and the written word? Performing the Sacred: Christian Representation and the Arts explores both the meaning of re-presentation and the role of performance within the Christian tradition between arts and drama. The essays in this book demonstrate that the idea of performance was central to Christian theology and that—from the Middle Ages to the Early Modern era—it became a device through which people saw, prayed, preached, wrote, imagined, officiated rites, celebrated cults, and practiced devotions. Seen that performance is a habitus within Christianity, performing the sacred does not just mean representing it, but rather enacting it in a tangible, visible and involved way.
The series comprises volumes of ancient texts with translations and commentaries, individual monographs, thematic collections, as well as translations into English of noteworthy volumes in modern languages. It covers the Eastern Orthodox, Oriental Orthodox and Eastern Catholic traditions from the early through to the contemporary period. The series will make a valuable contribution to the field of Eastern Christian Studies by publishing research by scholars from a variety of disciplines and traditions.

The series published an average of 1,5 volumes per year over the last 5 years.
The Bible in Ancient Christianity series examines how the Scriptures were interpreted in ancient Christianity, particularly as Scripture functioned in liturgy, in exposition, homilies, in art, in spirituality, and in social issues. The chronological parameters for the series are the first through the fifth centuries. Questions of how Scripture functions will include both, for example, how Augustine interpreted Romans, as well as how Romans was interpreted among various writers. The geographic and chronological breadth of the series means that Eastern as well as Western Christian authorities will be examined. Although the focus will be on widely accepted canonical texts (within these two traditions), the series will not restrict itself to only “orthodox” readings of the texts. Thus, the series might include manuscripts concerning the Gospel of Thomas; and the series might examine how so-called heterodox personalities (e.g., Montanists) used the Bible. Nonetheless the principle aim will be to look at how canonical texts functioned in ancient Christianity.

The series published an average of one volume per year over the last 5 years.
In a seminal study, Cur cantatur?, Anders Ekenberg examined Carolingian sources for explanations of why the liturgy was sung, rather than spoken. This multidisciplinary volume takes up Ekenberg’s question anew, investigating the interplay of New Testament writings, sacred spaces, biblical interpretation, and reception history of liturgical practices and traditions. Analyses of Greek, Latin, Coptic, Arabic, and Gǝʿǝz sources, as well as of archaeological and epigraphic evidence, illuminate an array of topics, including recent trends in liturgical studies; manuscript variants and liturgical praxis; Ignatius of Antioch’s choral metaphor; baptism in ancient Christian apocrypha; and the significance of late ancient altar veils.
The digital world pervades the everyday lives of most people, and online tools have become an essential part of academic research in many disciplines. This reality is true also for biblical studies and related disciplines, areas that work with complex literary traditions, multiple manuscript cultures, and many methodological approaches to the problems at the centre of our discussions. This book shines a light on multiple new and emerging approaches to big disciplinary questions in biblical studies and beyond by highlight projects that are using digital tools, crafting computer-assisted approaches, and re-thinking the resources fundamental to the history of research.
Classical Perspectives on Ascent in the Journey to God
Volume Editors: and
How does one grow holy in such times? This question drove the early Christian imagination no less than it does today. Patristic Spirituality: Classical Perspectives on Ascent to the Divine features numerous studies offering an “itinerary” for early Christian believers wishing to enter into the divine presence. Readers will discover an array of perennial early Christian wisdom into the practical challenges of ascent, “a work of God in Christ, transforming and incorporating us,” says Lewis Ayres. See how early Christians cultivated the life of grace with hospitality, silence, almsgiving, and other ascetic practices for human elevation into mystical union with God.

Contributors are: Benjamin D. Wayman, John S. Bergsma and Luke Iyengar, Hans Boersma, Stanley E. Porter, Gregory Vall Don W. Springer, Bogdan G. Bucur, Amy Brown Hughes, Sean Argondizza-Moberg, Stephen M. Hildebrand, Brian Matz, Anna Silvas, Ann Conway-Jones, Sandy L. Haney, Despina D. Prassas, Gerald Boersma, Brian E. Daley, Andrew Louth, Jonathan L. Zecher, Kevin M. Clarke, Lewis Ayres.