Browse results

You are looking at 1 - 10 of 299 items for :

  • History & Culture x
  • Upcoming Publications x
  • Just Published x
  • Search level: Titles x
Clear All
Author:
In the first book-length study of Takkanot Kandiyah, Martin Borýsek analyses this fascinating corpus of Hebrew texts written between 1228 –1583 by the leaders of the Jewish community in Candia, the capital of Venetian Crete. Collected in the 16th century by the Cretan Jewish historian Elijah Capsali, the communal byelaws offer a unique perspective on the history of a vibrant, culturally diverse Jewish community during three centuries of Venetian rule. As well as confronting practical problems such as deciding whether Christian wine can be made kosher by adding honey, or stopping irresponsible Jewish youths disturbing religious services by setting off fireworks in the synagogue, Takkanot Kandiyah presents valuable material for the study of communal autonomy and institutional memory in pre-modern Jewish society.
Karaite Judaism emerged in the 9th century—an exciting and challenging new stream of medieval Jewish identity and thought which challenged the notions of traditional rabbinic Judaism by rejecting, on the one hand, the sanctified tradition of Jewish oral law and the authority of the ancient Rabbis, while on the other hand re-centering on the text of Hebrew Bible as the sole source of Jewish religion. This Brill subseries, entitled Karaite Texts and Studies, edited by Meira Polliack (Tel-Aviv University) and Michael G. Wechsler (Moody Bible Institute, Chicago) serves as a locus of investigation into medieval Karaism, based on the testimony of its extensive written remains. The recent efflorescence of scholarship on Karaism has provided the impetus for the establishment of the Karaite Texts and Studies series which appears in association with Études sur le judaïsme medieval. The series focuses on the “Golden Age” of Karaism in the Near East (the 10th through 12th centuries) and it covers all genres of Karaite literature, written in Hebrew, Judaeo-Arabic, or other languages.
Tractate against the Midianites and Ishmaelites
This is the first English translation of one of the most important treatises written during the late-Middle Ages in defense of converts from Judaism, favoring religious tolerance in the face of religious and racially motivated prejudice and violence. The book also includes a fresh Latin edition, drawing on all known manuscripts. The text was written in response to the actions of the "Old Christians" of Toledo against the "New Christians," also called conversos, in 1449. A letter of Pope Nicholas V favouring the converts is included.
Editors: Professor Geoffrey Khan (University of Cambridge), Dr. Ben Outhwaite (University of Cambridge), Dr. Michael Rand (University of Cambridge), and Dr. Eve Krakowski (Princeton Univeristy).

The Taylor-Schechter Genizah Collection at Cambridge University Library is the largest single collection of medieval Hebrew and Arabic manuscripts in the world and by far the most important archive of medieval Mediterranean primary source material. As well as being an unparalleled resource for the study of Jewish religious literature, the Collection has also had a momentous impact on many other areas of research, including the history, language and literature of medieval Jews and Arabs within the wider historical and cultural context of the medieval Mediterranean and Near East. Cambridge Genizah Studies, a subseries of Études sur le judaïsme medieval, publishes the very latest research on this archive and other Genizah collections worldwide, covering historical, linguistic, literary, and religious studies.
The IOS Annual volume 22: “Telling of Olden Kings” brings forth studies devoted to a wide array fields and disciplines of the Middle East. The Ancient Near East section is devoted to Neo-Babylonian Mesopotamia and the Achaemenid Empire (Da Riva and Novotny; Levavi; Tavernier and Azzoni; Zadok). The Semitic section includes three articles dealing with contact between various languages of the Semitic language group and between Semitic languages and dialects and other language groups (Castagna; Cerqueglini; Klimiuk and Lipnicka). The Arabic section contains two articles two articles about Modern Iraqi and Egyptian Poetry (Khoury) and the image of Rahav the harlot in early Muslim traditions (Yavor).
The IOS Annual volume 23: “Drought Will Drive You Even Toward Your Foe” brings forth studies devoted to a wide array fields and disciplines of the Middle East. The two sections – Ancient Near East and Semitics include six articles. The Ancient Near East contains three articles dealing with the history of Mesopotamia and ancient Syria (Steinkeller; Steinmayer; Cohen), and the second and concluding part of “On Aramaic Loanwords in Neo- and Late Babylonian Texts” (Zadok), which appeared in IOS 21. The Semitic section includes two articles. The first is about metaphors in the Bedouins' Poetry (Cerqueglini). The second is a study of the vocalization of guttural consonants in the Secunda (Maurizio)
The queenship of the first European Renaissance queen regnant never ceases to fascinate. Was she a saint or a bigoted zealot? A pious wife or the one wearing the pants? Was she ultimately responsible for genocide? A case has been made to canonize her. Does she deserve to be called Saint Isabel? As different groups from fascists to feminists continue to fight over Isabel as cultural capital, we ask which (if any) of these recyclings are legitimate or appropriate. Or has this figure taken on a life of her own?

Contributors to this volume: Roger Boase, David A. Boruchoff, John Edwards, Emily Francomano, Edward Friedman, Cristina Guardiola-Griffiths, Michelle Hamilton, Elizabeth Teresa Howe, Hilaire Kallendorf, William D. Phillips, Jr., Nuria Silleras-Fernandez, Caroline Travalia, and Jessica Weiss.
Portrayals of Judith, Esther and the Shulamite in Early Twentieth-Century Jewish Art
Although recently more studies have been devoted to the representations of Biblical heroines in modern European art, less is known about the contribution to the portrayals of Biblical women by modern Jewish artists. This monograph explores why and how heroines of the Scripture: Judith, Esther and the Shulamite received a particular meaning for acculturated Jewish artists originating from the Polish lands in the last decades of the nineteenth century and the first two decades of the twentieth century. It convincingly proves that artworks by Maurycy Gottlieb, Wilhem Wachtel, Ephraim Moses Lilien, Maurycy Minkowski, Samuel Hirszenberg and Boris Schatz significantly differed from renderings of contemporary non-Jewish artists, adopting a “Jewish perspective”, creating complex and psychological portrayals of the heroines inspired by Jewish literature and as well as by historical and cultural phenomena of Jewish revival and the cultural Zionism movement.