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Emblems, Empire, and Identity in Early Modern Nürnberg
Civic virtues were central to early modern Nürnberg’s visual culture. These essays explore Nürnberg as a location from which to study the intersection of art and power. The imperial city was awash in emblems, and they informed most aspects of everyday life. The intent of this volume is to focus new attention on the town hall emblems, while simultaneously expanding the purview of emblem studies, moving from strict iconological approaches to collaborations across methodologies and disciplines.
Emblems, Empire, and Identity in Early Modern Nürnberg
Civic virtues were central to early modern Nürnberg’s visual culture. These essays explore Nürnberg as a location from which to study the intersection of art and power. The imperial city was awash in emblems, and they informed most aspects of everyday life. The intent of this volume is to focus new attention on the town hall emblems, while simultaneously expanding the purview of emblem studies, moving from strict iconological approaches to collaborations across methodologies and disciplines.
The World of Kusazōshi
Part of a formidable publishing industry, cheap yet eye-catching graphic narratives consistently charmed early modern Japanese readers for around two hundred years. These booklets were called kusazōshi (“grass books”).
Graphic Narratives from Early Modern Japan is the first English-language publication of its kind. It enables anyone new to kusazōshi to gain comprehensive knowledge of the field. For the specialist, our edited volume marks a turning point in scholarship, uncovering fresh research avenues.
While exploring the powerful effects of the visual-verbal imagination, this collection opens up bold new vistas on the act of reading and advances provocations around comics and manga.
Contributors are: Jaqueline Berndt, Joseph Bills, Michael Emmerich, Adam L. Kern, Fumiko Kobayashi, Frederick Feilden, Laura Moretti, Matsubara Noriko, Satō Satoru, Satō Yukiko, Satoko Shimazaki, Takagi Gen, Tanahashi Masahiro, Ellis Tinios, Tsuda Mayumi and, Glynne Walley.
Graphic Narratives from Early Modern Japan is the first English-language publication of its kind. It enables anyone new to kusazōshi to gain comprehensive knowledge of the field. For the specialist, our edited volume marks a turning point in scholarship, uncovering fresh research avenues.
While exploring the powerful effects of the visual-verbal imagination, this collection opens up bold new vistas on the act of reading and advances provocations around comics and manga.
Contributors are: Jaqueline Berndt, Joseph Bills, Michael Emmerich, Adam L. Kern, Fumiko Kobayashi, Frederick Feilden, Laura Moretti, Matsubara Noriko, Satō Satoru, Satō Yukiko, Satoko Shimazaki, Takagi Gen, Tanahashi Masahiro, Ellis Tinios, Tsuda Mayumi and, Glynne Walley.
The World of Kusazōshi
Part of a formidable publishing industry, cheap yet eye-catching graphic narratives consistently charmed early modern Japanese readers for around two hundred years. These booklets were called kusazōshi (“grass books”).
Graphic Narratives from Early Modern Japan is the first English-language publication of its kind. It enables anyone new to kusazōshi to gain comprehensive knowledge of the field. For the specialist, our edited volume marks a turning point in scholarship, uncovering fresh research avenues.
While exploring the powerful effects of the visual-verbal imagination, this collection opens up bold new vistas on the act of reading and advances provocations around comics and manga.
Contributors are: Jaqueline Berndt, Joseph Bills, Michael Emmerich, Adam L. Kern, Fumiko Kobayashi, Frederick Feilden, Laura Moretti, Matsubara Noriko, Satō Satoru, Satō Yukiko, Satoko Shimazaki, Takagi Gen, Tanahashi Masahiro, Ellis Tinios, Tsuda Mayumi and, Glynne Walley.
Graphic Narratives from Early Modern Japan is the first English-language publication of its kind. It enables anyone new to kusazōshi to gain comprehensive knowledge of the field. For the specialist, our edited volume marks a turning point in scholarship, uncovering fresh research avenues.
While exploring the powerful effects of the visual-verbal imagination, this collection opens up bold new vistas on the act of reading and advances provocations around comics and manga.
Contributors are: Jaqueline Berndt, Joseph Bills, Michael Emmerich, Adam L. Kern, Fumiko Kobayashi, Frederick Feilden, Laura Moretti, Matsubara Noriko, Satō Satoru, Satō Yukiko, Satoko Shimazaki, Takagi Gen, Tanahashi Masahiro, Ellis Tinios, Tsuda Mayumi and, Glynne Walley.
Transmission, Dispersal, and Loss, 1604–1864
Author:
The Working Papers of Hugo Grotius is the first full-length study of the handwritten documents initially used by the author of Mare Liberum (1609) and De Jure Belli ac Pacis (1625) in his day-to-day activities as a scholar, lawyer, and politician, but subsequently incorporated into his own or other archives. Martine van Ittersum reconstructs a process of transmission, dispersal and loss that started during Grotius’ lifetime and ended with the papers’ auction in 1864. This is also a study of archival afterlives. Our understanding of Grotius’ life and work is shaped by the conscious decisions of previous generations to retain or discard documents, frequently for the sake of individual lives and careers, family honour and/or larger political and religious ends.
Transmission, Dispersal, and Loss, 1604–1864
Author:
The Working Papers of Hugo Grotius is the first full-length study of the handwritten documents initially used by the author of Mare Liberum (1609) and De Jure Belli ac Pacis (1625) in his day-to-day activities as a scholar, lawyer, and politician, but subsequently incorporated into his own or other archives. Martine van Ittersum reconstructs a process of transmission, dispersal and loss that started during Grotius’ lifetime and ended with the papers’ auction in 1864. This is also a study of archival afterlives. Our understanding of Grotius’ life and work is shaped by the conscious decisions of previous generations to retain or discard documents, frequently for the sake of individual lives and careers, family honour and/or larger political and religious ends.
Parish Libraries and their Readers in Early Modern England, 1558–1709
Author:
This book provides an overview of the establishment and use of parish libraries in early modern England and includes a thematic analysis of surviving marginalia and readers' marks. This book is the first direct and detailed analysis of parish libraries in early modern England and uses a case-study approach to the examination of foundation practices, physical and intellectual accessibility, the nature of the collections, and the ways in which people used these libraries and read their books.
Parish Libraries and their Readers in Early Modern England, 1558–1709
Author:
This book provides an overview of the establishment and use of parish libraries in early modern England and includes a thematic analysis of surviving marginalia and readers' marks. This book is the first direct and detailed analysis of parish libraries in early modern England and uses a case-study approach to the examination of foundation practices, physical and intellectual accessibility, the nature of the collections, and the ways in which people used these libraries and read their books.
Editor:
The five hundred years from the 1450s to the 1950s represent an extraordinarily rich quarry for evidence of incunabula sales, collecting and use. What book lists reveal about publishing and reading habits in late 15th-century Venice, how a Scottish librarian went about acquiring incunabula during World War II and the international workshop connections glimpsed through early Hungarian bindings are among the topics explored in this volume. Library professionals train spotlights on French plague tracts, Deventer as a printing place, the use of incunabula in learned societies in the nineteenth-century, and incunabula collecting by monks and universities in England and Scotland.
Editor:
The five hundred years from the 1450s to the 1950s represent an extraordinarily rich quarry for evidence of incunabula sales, collecting and use. What book lists reveal about publishing and reading habits in late 15th-century Venice, how a Scottish librarian went about acquiring incunabula during World War II and the international workshop connections glimpsed through early Hungarian bindings are among the topics explored in this volume. Library professionals train spotlights on French plague tracts, Deventer as a printing place, the use of incunabula in learned societies in the nineteenth-century, and incunabula collecting by monks and universities in England and Scotland.
An Early Qurʾānic Codex on Papyrus (P. Hamb. Arab. 68)
Series:
Documenta Coranica, Volume: 3
In the eighth century CE, the Christian theologian John Damascene referred to a Book of the Cow among the sacred texts of the Muslims. P. Hamb. Arab. 68 not only represents so far the earliest known Qurʾānic manuscript preserved on papyrus, but also bears witness to an independent circulation of the Sūra of The Cow in late seventh- or early eighth-century Egypt. Significant deviations from the commonly accepted text of the Qurʾān suggest that this copy was rapidly discarded. The present volume offers a complete edition as well as a thorough philological and historical study of the manuscript.