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Beat Literature in Europe offers twelve in-depth analyses of how European authors and intellectuals on both sides of the Iron Curtain read, translated and appropriated American Beat literature. The chapters combine textual analysis with discussions on the role Beat had in popular music, art, and different subcultures.
The book participates in the transnational turn that has gained in importance during the past years in literary studies, looking at transatlantic connections through the eyes of European authors, artists and intellectuals, and showing how Beat became a cluster of texts, images, and discussions with global scope. At the same time, it provides vivid examples of how national literary fields in Europe evolved during the cold war era.

Contributors are: Thomas Antonic, Franca Bellarsi, Frida Forsgren, Santiago Rodriguez Guerrero-Strachan, József Havasréti, Tiit Hennoste, Benedikt Hjartarson, Petra James, Nuno Neves, Maria Nikopoulou, Harri Veivo, Dorota Walczak-Delanois, Gregory Watson.
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Nada Saab and Robert Myers

In Modern and Contemporary Political Theater from the Levant, A Critical Anthology, Robert Myers and Nada Saab provide a sense of the variety and complexity of political theater produced in and around the Levant from the 1960s to the present within a context of wider discussions about political theater and the histories and forms of performance from the Islamic and Arab worlds. Five major playwrights are studied, ʿIsam Mahfuz, from Lebanon; Muhammad al-Maghut and Saʿd Allah Wannus, from Syria; Jawad al-Asadi, from Iraq, Syria and Lebanon; and Raʾida Taha, from Palestine. The volume includes translations of their plays The Dictator, The Jester, The Rape, Baghdadi Bath and Where Would I Find Someone Like You, ʿAli?, respectively.
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Maarten van Heemskerck’s Rome

Antiquity, Memory, and the Cult of Ruins

Arthur J. Di Furia

This book presents the first sustained study of the stunning drawings of Roman ruins by Haarlem artist Maarten van Heemskerck (1498–1574; in Rome, 1532–ca. 1537). In three parts, Arthur J. Di Furia describes Van Heemskerck’s pre-Roman training, his time in Rome, and his use his ruinscapes for the art he made during his forty-year post-Roman phase.
Building on the methods of his predecessors, Van Heemskerck mastered a dazzling array of methods to portray Rome in compelling fashion. Upon his return home, his Roman drawings sustained him for the duration of his prolific career. Maarten van Heemskerck’s Rome concludes with the first ever catalog to bring together all of Van Heemskerck’s ruin drawings in state-of-the-art digital photography.
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Crusade scholarship has exploded in popularity over the past two decades. This volume captures the resulting diversity of approaches, which often cross cultures and academic disciplines. The contributors to this volume offer new perspectives on topics as varied as the application of Roman law on slavery to the situation of Muslims in the Latin East, Muslim appropriation of Latin architectural spolia, the roles played by the crusade in medieval preaching, and the impact of Latin East refugees on religious geography in late medieval Cyprus. Together these essays demonstrate how pervasive the institution of crusade was in medieval Christendom, as much at home in Europe as in the Latin East, and how much impact it carried forth into the modern era.
Contributors are Richard Allington, Jessalynn Bird, Adam M. Bishop, Tomasz Borowski, Yan Bourke, Sam Zeno Conedera, Charles W. Connell, Cathleen A. Fleck, Lisa Mahoney, and C. Matthew Phillips.
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City Views in the Habsburg and Medici Courts

Depictions of Rhetoric and Rule in the Sixteenth Century

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Ryan E. Gregg

In City Views in the Habsburg and Medici Courts, Ryan E. Gregg relates how Charles V, Holy Roman Emperor, and Duke Cosimo I of Tuscany employed city view artists such as Anton van den Wyngaerde and Giovanni Stradano to aid in constructing authority. These artists produced a specific style of city view that shared affinity with Renaissance historiographic practice in its use of optical evidence and rhetorical techniques. History has tended to see city views as accurate recordings of built environments. Bringing together ancient and Renaissance texts, archival material, and fieldwork in the depicted locations, Gregg demonstrates that a close-knit school of city view artists instead manipulated settings to help persuade audiences of the truthfulness of their patrons’ official narratives.
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Celebrating Suprematism

New Approaches to the Art of Kazimir Malevich

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Christina Lodder

Celebrating Suprematism throws vital new light on Kazimir Malevich’s abstract style and the philosophical, scientific, aesthetic, and ideological context within which it emerged and developed. The essays in the collection, which have been produced by established specialists as well as new scholars in the field, tackle a wide range of issues and establish a profound and nuanced appreciation of Suprematism’s place in twentieth-century visual and intellectual culture. Complementing detailed analyses of The Black Square (1915), Malevich’s theories and statements, various developments at Unovis, Suprematism’s relationship to ether physics, and the impact that Malevich’s style had on the design of textiles, porcelain and architecture, there are also discussions of Suprematism’s relationship to Russian Constructivism and avant-garde groups in Poland and Hungary.
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Gerol’d I. Vzdornov, Valerii G. Dereviagin and Marybeth Sollins

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Gerol’d I. Vzdornov, Valerii G. Dereviagin and Marybeth Sollins

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Gerol’d I. Vzdornov, Valerii G. Dereviagin and Marybeth Sollins

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Gerol’d I. Vzdornov, Valerii G. Dereviagin and Marybeth Sollins