Scaling the Balkans puts in conversation several fields that have been traditionally treated as discrete: Balkan studies, Ottoman studies, East European studies, and Habsburg and Russian studies. By looking at the complex interrelationship between countries and regions, demonstrating how different perspectives and different methodological approaches inflect interpretations and conclusions, it insists on the heuristic value of scales. The volume is a collection of published and unpublished essays, dealing with issues of modernism, backwardness, historical legacy, balkanism, post-colonialism and orientalism, nationalism, identity and alterity, society-and nation-building, historical demography and social structure, socialism and communism in memory, and historiography.
In this first full-length biography of Alexander Bogdanov, James D. White traces the intellectual development of this key socialist thinker, situating his ideas in the context of the Russian revolutionary movement. He examines the part Bogdanov played in the origins of Bolshevism, his role in the revolutions of 1905 and 1917 and his conflict with Lenin, which lasted into Soviet times. The book examines in some detail Bogdanov’s intellectual legacy, which, though deliberately obscured and distorted by his adversaries, was considerable and is of lasting significance. Bogdanov was an original and influential interpreter of Marx. He had a mastery of many spheres of knowledge, this expertise being employed in writing his chief theoretical work Tectology, which anticipates modern systems theory.
The Correspondence of Richard Pipes and Marc Raeff
Richard Pipes and Marc Raeff were two of the most prolific and influential historians of Russia that America ever produced. They met at Harvard in 1946 and went on, for most of the following six decades, to debate history, share ideas, comment on each other's work, and inspire one another intellectually. In Pillars of the Profession: The Correspondence of Richard Pipes and Marc Raeff, Jonathan Daly presents the 158 letters these scholars and friends exchanged from 1948 until 2007. Thoughtful introductory and concluding essays, detailed annotations, a wealth of photographs and other illustrations, a chronology of major events, and four maps make this volume an important addition to Russian historiography.
With Special Reference to the Reign of Murad Giray (1678-1683)
The Crimean Khanate was often treated as a semi-nomadic, watered-down version of the Golden Horde, or yet another vassal state of the Ottoman Empire. This book revises these views by exploring the Khanate’s political and legal systems, which combined well organized and well developed institutions, which were rooted in different traditions (Golden Horde, Islamic and Ottoman). Drawing on a wide range of sources, including the Crimean court registers from the reign of Murad Giray (1678-1683), the book examines the role of the khan, members of his council and other officials in the Crimean political and judicial systems as well as the practice of the Crimean sharia court during the reign of Murad Giray.
Essays and Letters on Economic Theory
This collection includes texts by Henryk Grossman that are primarily concerned with economic theory: monographs, articles, essays, letters and manuscript material. Many have never been published in English before, some in any language. The first in four volumes of Grossman’s works, it provides the basis for a deeper understanding of Grossman’s contributions to Marxist economic theory and critique of bourgeois economics. Rick Kuhn’s introduction explains the contexts in which the texts were written and establishes their contemporary relevance.
In Cultural and Political Imaginaries in Putin’s Russia scholars scrutinise developments in official symbolical, cultural and social policies as well as the contradictory trajectories of important cultural, social and intellectual trends in Russian society after the year 2000. Engaging experts on Russia from several academic fields, the book offers case studies on the vicissitudes of cultural policies, political ideologies and imperial visions, on memory politics on the grassroot as well as official levels, and on the links between political and national imaginaries and popular culture in fields as diverse as fashion design and pro-natalist advertising. Contributors are Niklas Bernsand, Lena Jonson, Ekaterina Kalinina, Natalija Majsova, Olga Malinova, Alena Minchenia, Elena Morenkova-Perrier, Elena Rakhimova-Sommers, Andrei Rogatchevski, Tomas Sniegon, Igor Torbakov, Barbara Törnquist-Plewa, and Yuliya Yurchuk.
New Approaches to the Art of Kazimir Malevich
Celebrating Suprematism throws vital new light on Kazimir Malevich’s abstract style and the philosophical, scientific, aesthetic, and ideological context within which it emerged and developed. The essays in the collection, which have been produced by established specialists as well as new scholars in the field, tackle a wide range of issues and establish a profound and nuanced appreciation of Suprematism’s place in twentieth-century visual and intellectual culture. Complementing detailed analyses of The Black Square (1915), Malevich’s theories and statements, various developments at Unovis, Suprematism’s relationship to ether physics, and the impact that Malevich’s style had on the design of textiles, porcelain and architecture, there are also discussions of Suprematism’s relationship to Russian Constructivism and avant-garde groups in Poland and Hungary.