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Why Look at Plants?

The Botanical Emergence in Contemporary Art

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Giovanni Aloi

Why Look at Plants? proposes a thought-provoking and fascinating look into the emerging cultural politics of plant-presence in contemporary art. Through the original contributions of artists, scholars, and curators who have creatively engaged with the ultimate otherness of plants in their work, this volume maps and problematizes new intra-active, agential interconnectedness involving human-non-human biosystems central to artistic and philosophical discourses of the Anthropocene.

Plant’s fixity, perceived passivity, and resilient silence have relegated the vegetal world to the cultural background of human civilization. However, the recent emergence of plants in the gallery space constitutes a wake-up-call to reappraise this relationship at a time of deep ecological and ontological crisis. Why Look at Plants? challenges readers’ pre-established notions through a diverse gathering of insights, stories, experiences, perspectives, and arguments encompassing multiple disciplines, media, and methodologies.
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The Patient-Doctor Dynamics

Examining Current Trends in the Global Healthcare Sector

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This book provides an insight into research conducted by participants attending The Patient: Examining Realities: 5th Global Conference, held in Oxford, England, 14-16 September, 2016. These attendees and subsequent volume contributors include medical professionals and healthcare providers employed by reputable academic institutions, and who take a both scientific and practical interest in the healthcare industry and its practices. The book also includes discourses by academics with a more theoretical interest in health and the complex doctor-patient relationship. Research presented herein is both steeped in cultural traditions and reflective of new trends in certain countries across the globe. Theories, practices and trends highlighted in the book are ultimately universal in that they concern all of us on a global level.
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The Pathogenesis of Fear

Mapping the Margins of Monstrosity

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The Pathogenesis of Fear gathers together diverse conversations about cultural constructions of the monstrous. Interdisciplinary essays map the margins of monstrosity as follows: the cannibalistic paradox in Kleist’s late-Romantic Penthesilea; intersections of the monstrous-feminine and the new Victorian psycho-physiology of consciousness in George Eliot’s early novels; the monster-formed citizens of Dickensian and later dystopias; the killing of African Americans targeted as monstrous entities in US cities; the post-human anguish of a television zombie-world; the monstrous mutilations of a Spanish horror film; psychosocial aberration in Martin Millar’s werewolf fiction; the demonization of the Other on the war-torn streets of Ireland; Derridean devouring sovereignty. Discursively correlated with different categories of body and mind, monstrosity, these essays argue, persists in taking many forms. Contributors are Elizabeth Hollis Berry, Niculae Gheran, Sarah Harris, Fiona Harris-Ramsby and Mubarak Muhammad, Michaela Marková, Kimberley McMahon Coleman, Judith Rahn, Cindy Smith and Marita Vyrgioti.
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Ileana Chinnici

In Decoding the Stars, Ileana Chinnici offers an account of the life of the Jesuit scientist Angelo Secchi (1818-1878). As well as providing an invaluable account of Secchi’s life and work—something that has been sorely lacking in the English-language scholarship—this biography will be especially stimulating for those interested in the evolution of astronomy as a discipline from the nineteenth century onward. Despite his eclecticism, reminiscent of the natural philosophers of the seventeenth and eighteenth centuries, Secchi was in many ways a very modern scientist: open to innovation and cooperation, and a promoter of popularization and citizen science. Secchi also appears fully inserted in the cultural context of his time: he participated in philosophical and scientific debates, spread new theories and ideas, but also suffered the consequences of political events that marked those years and impacted on his life and activities.
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Animals and Their People

Connecting East and West in Cultural Animal Studies

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Animals and Their People: Connecting East and West in Cultural Animal Studies, edited by Anna Barcz and Dorota Łagodzka, provides a zoocentric insight into philosophical, artistic, and literary problems in Western, Anglo-American, and Central-Eastern European context. The contributors go beyond treating humans as the sole object of research and comprehension, and focus primarily on non-human animals. This book results from intellectual exchange between Polish and foreign researchers and highlights cultural perspective as an exciting language of animal representation. Animals and Their People aims to bridge the gap between Anglo-American and Central European human-animal studies.
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Ira Livingston

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Ira Livingston

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Ira Livingston

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Ira Livingston