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Editor-in-Chief
Liana De Girolami Cheney, University of Massachusetts Lowell, MA, USA; President of the Association for Textual Scholarship in Art History (ATSAH)
Associate Editors
Damiano Acciarino, Università Ca’ Foscari Venezia, Venice, Italy
Brian Steele, Texas Tech University, Lubbock, TX, USA

Editorial Board
Pino Cascione, Università di Aldo Moro, Bari, Italy
Brendan Cole, Independent Scholar, Rhodes, South Africa
Karen Hillson, New Hampshire Institute of Art, Manchester, NH, USA
Émilie Passignat, Università Ca’ Foscari Venezia, Venice, Italy
Lynette M.F. Bosch, State University of New York-Geneseo, NY, USA
Charles Burroughs, State University of New York-Geneseo, NY, USA
Andrzej Piotrowski, University of Minnesota, Minneapolis, MN, USA
Yael Even, University of Missouri, St. Louis, MO, USA

Paragone: Past and Present

A Journal on Contestations in the Arts

Editor-in-Chief: Liana De Girolami Cheney
Paragone: Past and Present is dedicated to featuring scholarship on the history of contestations and confrontations between the arts from antiquity into the present. Contestation is interpreted in the broadest terms from all global contexts. The journal invites articles that take up such questions with regard to any period of western cultural development, but also welcomes discussions of the formation and interaction of media in non-western cultures. The journal also wishes to advance discussion of a further key phenomenon typical of sixteenth-century culture, the mixing of text and image within particular visual fields, as in the proliferation of emblems of various kinds, as well as in book design or architecture. Such practices resonate with the advertising techniques and formats developed in the modern era, or indeed in the webpage design of today, with obvious implications especially for the broadcast media. These technical advances are not neutral, however, and so we hope to elicit discussion of the extent to which change in the media landscape accommodates or fosters certain ideological positions.

Journal of the Association for Textual Scholarship in Art History (ATSAH).
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