Contemporary Cinema

Editor: Ernest Mathijs
Contemporary Cinema focuses on the latest in film culture, theory, reception and industry. There is a concentration on films released in the past fifteen years, to reflect on important current issues voicing others that to date have not been given sufficient attention.

Proposals on television studies or cinematic media will also be considered.
All submissions are subject to a double blind peer review process prior to publication.

Authors are cordially invited to submit proposals and/or full manuscripts to the publisher at BRILL, Masja Horn.

Edited by:
Ernest Mathijs

Editorial Advisory Board:
Martin Barker (University of Wales-Aberystwyth)
Wanda Bershen (founder, Red Diaper Productions)
Mark Betz (University of London, King's College)
David Bordwell (University of Wisconsin-Madison)
Sean Cubitt (University of Melbourne, Australia)
Roger Garcia (former Director, Hong Kong International Film Festival)
Joke Hermes (University of Amsterdam)
Mark Jancovich (University of East Anglia)
Douglas Kellner (University of California-Los Angeles)
Soyoung Kim (Korean National University of Arts)
Amy Kronish (consultant in Jewish & Israeli Film)
Barney Oldfield (General Manager, Angelika Entertainment)
Murray Pomerance (independant scholar, Canada)
Michael Renov (University of Southern California)
David Schwartz (Manager of Theatrical Programming at Netflix)
M.M. Serra (Executive Director, Film-Makers Cooperative)
J. David Slocum (Steinbeis University, Germany)
Christina Stojanova (University of Regina, Canada)
Kristin Thompson (University of Wisconsin-Madison)

Institutional support:
The Centre for Cinema Studies at the University of British Columbia