Romancing the Internet: Producing and Consuming Chinese Web Romance, Jin Feng examines the evolution of Chinese popular romance on the Internet. She first provides a brief genealogy of Chinese Web literature and Chinese popular romance, and then investigates how large socio-cultural forces have shaped new writing and reading practices and created new subgenres of popular romance in contemporary China. Integrating ethnographic methods into literary and discursive analyses, Feng offers a gendered, audience-oriented study of Chinese popular culture in the age of the Internet.
Jin Feng, Ph.D. (2000), from the University of Michigan, is Professor of Chinese at Grinnell College. She has published monographs, translation, and articles in English and Chinese on Chinese culture, including
Ginling College (1915-1952): The Making of a Family Saga (SUNY, 2009).
"Yet, despite the undeniable cultural influence and financial clout of web-based literature, it is only with the 2013 publication of Jin Feng’s
Romancing the Internet: Producing and Consuming Chinese Web Romance, that we have the first English-language book dedicated to a major genre within this hugely significant—as well as simply huge—area of cultural production." Heather Inwood,
Modern Chinese Literature and Culture, Resource Center Publication (August 2014) “Romancing the Internet” is an extremely stimulating read for scholars of gender and women’s studies and for those interested in Chinese popular culture in general and internet literature in particular.” Elisabeth Schleep, University of Freiburg, 1-3 "...Feng undertakes the ambitious but much needed task of examining the immense (and ever-expanding) volume and vibrant culture of Web romance to investigate the ways in which contemporary Chinese women’s reading and writing experiences 'help them to reinvent their gender and cultural identities.' ... this innovative audience-focused literary study adeptly employs various analytical tools, including close reading, linguistic and discourse analysis, sociological data, focus group study, one-on-one interviews, and participant observation." Hui Faye Xiao
Asia Pacific Perspectives, Spring/Summer 2014
Table of contents
Introduction: This is Not Your Mother's Qiong Yao Fan Production Interdisciplinary Improvisation Organization of Chapters
1. A Short Genealogy The Politics and Economics of Web Publishing The Popular Mind Stud, Farming, and Magic-Space Fiction: Characteristics and Trends The Pleasure of Repetition Romantic Love with Chinese Characteristics
2. Addicted to Beauty Three Players and the Text Textual Poaching Time Travel in
Danmei Fiction The Androgynous Reader Conclusion
3. "Men Conquer the World and Women Save Mankind" Clues from Interviews The Supreme Heroine Three Princesses Conclusion
4. Rewriting Classics, Righting Wrongs Tricks of the Trade Rewriting Classics
Danmei Fanfic Anti-Qiong Yao Fanfic Conclusion
5. How to Make Mr. Right? Seeking Mr. Right? The Ideal Hero Who Is More "Economical and Serviceable"? Reading
Zhifou: Strategies and Negotiations Making Mr. Right Conclusion
Coda: What Does Chinese Web Romance Do? Remaking Popular Romance Creating the Self in a Crowd A New Woman Born of the E-Age?
Appendix: Glossary of Chinese and Japanese CharactersBibliographyIndex
All interested in contemporary Chinese culture, gender studies, media studies, fiction, and popular romance.