A Companion to the Poema de mio Cid


This volume brings together a number of distinguished scholars in the field of Poema de mio Cid studies. It provides an informed introduction to key literary aspects of the poem, and thoroughly examines many of the complex issues that are crucial for a comprehensive understanding of the work (historical context, ideological motivations, prosification in medieval chronicles, the poem’s place in the canon of Spanish literature). Equally important are the new findings that have been put forward since the 1970s, when scholars started to challenge Ramón Menéndez Pidal’s theories that had dominated the philological discourse since the beginning of the twentieth century.
Contributors are Matthew Bailey, Simon Barton, Francisco Bautista, Juan Carlos Bayo Julve, Federico Corriente, Leonardo Funes, Luis Galván, Fernando Gómez Redondo, Eukene Lacarra Lanz, Salvatore Luongo, Georges Martin, Alberto Montaner, Javier Rodríguez Molina, Mercedes Vaquero, Roger Wright, and Irene Zaderenko.

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Irene Zaderenko, Ph.D. (1994), Graduate School-City University of New York, is Professor of Spanish Literature at Boston University. She has published monographs and many articles on epic poetry, including El monasterio de Cardeña y el inicio de la épica cidiana (Universidad de Alcalá de Henares, 2013).
Alberto Montaner, Ph.D. (1994), Universidad Complutense de Madrid, is Professor of Spanish Literature at Universidad de Zaragoza. He has published monographs, philological editions, and many articles on epic poetry, including a landmark edition of Cantar de mio Cid (Real Academia Española, 2011; 2nd. rev. ed. 2016).
'This volume provides a lively and necessary introduction to recent scholarly work on the poem [...] All in all, essays are clearly written and useful on their own, and function as excellent introductions to their authors' important work on the Poema de mio Cid from very different perspectives. But what is perhaps most satisfying is how the volume maps out areas of consensus and disagreement through the multifaceted dialogue between its contributions, which will stimulate further research'. Clara Pascual-Argente, in Bulletin of Spanish Studies , 6, July 2019.

Irene Zaderenko and Alberto Montaner
List of Figures
Notes on Contributors

Part 1: The Codex and the Author

1 The Poema de mio Cid as Text: Manuscript Transmission and Editorial Politics
Alberto Montaner
2 The Question of Authorship
Irene Zaderenko

Part 2: Linguistic Aspects

3 Why was the Poema de mio Cid Written Down the Way It was?
Roger Wright
4 A Closer Look at the Poema de mio Cid’s Language
Javier Rodríguez Molina

5 On the Arabic Loanwords in the Poema de mio Cid
Federico Corriente

Part 3: Poetic Aspects and Structure

6 On the Poetic Technique of the Poema de mio Cid
Juan Carlos Bayo Julve
7 “Mio Cid Ruy Díaz odredes lo que dixo”: The Voice of the Narrator, the Voice of the Characters
Salvatore Luongo
8 Oral Expression in the Poema de mio Cid
Matthew Bailey
9 Episodic Logic and the Structure of the Poema de mio Cid
Leonardo Funes

Part 4: Historical Aspects

10 The Historical Context of the Poema de mio Cid
Simon Barton
11 Social Structures and Values in the Poema de mio Cid
Georges Martin
12 Legal Aspects of the Poema de mio Cid
Eukene Lacarra Lanz

Part 5: The Poema de mio Cid in the Cultural History of Spain

13 The Poema de mio Cidand the Canon of the Spanish Epic Revisited
Mercedes Vaquero
14 The Poema de mio Cid in 13th and 14th-Century Romance Historiography
Francisco Bautista
15 The Cidian Matter in the 15th Century
Fernando Gómez Redondo
16 The Canonization of the Poema de mio Cid from the 18th to the 20th Century
Luis Galván

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Medievalists in all fields (literature, history, art, religion, Spanish philology) as well as anyone eager to embark upon a critical reading of this literary classic.