Neo-Victorian Villains is the first edited collection to examine the afterlives of such Victorian villains as Dracula, Svengali, Dorian Gray and Jekyll and Hyde, exploring their representation in neo-Victorian drama and fiction. In addition,
Neo-Victorian Villains examines a number of supposedly villainous types, from the spirit medium and the femme fatale to the imperial ‘native’ and the ventriloquist, and traces their development from Victorian times today. Chapters analyse recent theatre, films and television – from
Ripper Street to Marvel superhero movies – as well as classic Hollywood depictions of Victorian villains. In a wide-ranging opening chapter, Benjamin Poore assesses the legacy of nineteenth-century ideas of villains and villainy in the twentieth and twenty-first centuries.
Contributors are: Sarah Artt, Guy Barefoot, Jonathan Buckmaster, David Bullen, Helen Davies, Robert Dean, Marion Gibson, Richard Hand, Emma James, Mark Jones, Emma V. Miller, Claire O’Callaghan, Christina Parker-Flynn, Frances Pheasant-Kelly, Natalie Russell, Gillian Piggott, Benjamin Poore and Rob Welch.
Benjamin Poore, Ph.D. (2009), Royal Holloway, University of London, is Lecturer in Theatre at the University of York, UK, and has published widely on neo-Victorianism and adaptation studies. His first monograph was
Heritage, Nostalgia and Modern British Theatre (Palgrave, 2012).
Table of contents
List of Figures
The Villain-Effect: Distance and Ubiquity in Neo-Victorian Popular Culture
Part 1: Theatrical Transformations
1 'A Perfect Demon’: Michael Eaton's
Charlie Peace: His Amazing Life & Astounding LegendRichard J. Hand 2 Miss Representation: The Femme Fatale and the Villainy of Performance in Neo-Victorian Hollywood
Christina Parker-Flynn 3 Melodramatic Villainy (Just) after the Victorians
Guy Barefoot 4 Imperial Heroes and Native Villains
Robert Dean 5 Sonorous Psychopaths: Neo-Victorian Ventriloquists on Screen
Part 2: Transitional and Liminal Figures
6 Kissing the Medium: The Spiritualist-Witch as Countercultural Heroine in
the Thirty-Nine Steps (1959)
Marion Gibson 7 Jack the Representation: The Ripper in Culture
Mark Jones 8 On the Origin of a Supervillain: The Neo-Victorian Reinvention of Mister Sinister
David Bullen 9 Framing
Our Fearful Symmetry: Substance Dualism, Reincarnation and the Villainy of the Disembodied Soul
Emma V. Miller
Part 3: Neo-Victorian Sex and 'Sexsation'
10 The Postfeminist Tart: Neo-Victorian Villainy and Sex Work in
Ripper StreetSarah Artt 11 "I raise the devil in you, not any potion. My touch": The Strange Case of Heterosexuality in Neo-Victorian Versions of
Jekyll and HydeHelen Davies 12 A Wilde Scoundrel: Villainy and 'Lad Culture' in the Filmic Afterlives of
Dorian GrayClaire O’Callaghan
Part 4: Literary Villains Reimagined
13 Svengali: The Evolution of Ethnic Evil through Adaptation
Rob Welch 14 From 'the wicked man' to the 'bastard boy of seven': The Evolution of John Jasper's Villainy in Adaptations of
The Mystery of Edwin DroodJonathan Buckmaster 15 "I’m always angry": Super-Hydes and the Appropriation of Edward Hyde in Superhero Films
Emma A. Harris 16 Revisionist Vampires: Transcoding, Intertextuality, and Neo-Victorianism in the Film Adaptations of Bram Stoker's
DraculaFrances Pheasant-Kelly and Natalie Russell
Scholars, students and general readers interested in neo-Victorianism, adaptation, costume drama, and melodrama. Suitable for reading lists in English Literature, Film and Television, Adaptation, and Drama and Theatre degree programmes.