Conceptualism and Materiality. Matters of Art and Politics underscores the significance of materials and materiality within Conceptual art and conceptualism more broadly. It challenges the notion of conceptualism as an idea-centered, anti-materialist enterprise, and highlights the political implications thereof.
The essays focus on the importance of material considerations for artists working during the 1960s and 1970s in different parts of the world. In reconsidering conceptualism’s neglected material aspects, the authors reveal the rich range of artistic inquiries into theoretical and political notions of matter and material. Their studies revise and diversify the account of this important chapter in the history of twentieth-century art — a reassessment that carries wider implications for the study of art and materiality in general.
Christian Berger, Ph.D. (2013), Freie Universität Berlin, is a lecturer at Johannes Gutenberg-Universität Mainz and currently a Marie Skłodowska Curie Fellow at The Courtauld Institute of Art in London. His scholarship focuses on conceptualism and on artistic materials and techniques.
"The relationship between art and material is of great relevance—not only under the impression of the digital. […] A tense relationship to the material (first and foremost in the sense of the material of a work) is generally attributed to Conceptual Art, whereby the emphasis on the (artistic) idea—a topos—is understood as a criticism of materiality. The debate here has been and continues to be about whether material is a prerequisite for art and its transformation an original task of artists. The rich, challenging and insightful conference volume
Conceptualism and Materiality. Matters of Art and Politics is dedicated to this topic."
Hochschule für Gestaltung und Kunst FHNW Basel in
Texte zur Kunst
"A solid repertoire of subtle strategies of analysis, brilliant ideas and bibliographical paths, this volume is a valuable point of departure for further studies in materiality and it contributes to look at Conceptualism through new lenses.“
All interested in contemporary art, and specifically in conceptualism and art of the 1960s and 1970s; scholars and students of twentieth-century art history; university, museum, and other research libraries.