Recent and increasing interest in art market studies—the dealers, mediators, advisors, taste makers, artists, etc.—indicate that the transaction of art and decorative art is anything but linear. Taking as its point of departure two of the most active agents of the late nineteenth century, Wilhelm von Bode and Stefano Bardini, the essays in this volume also look beyond, to other art market individuals and their vast and frequently interconnected, social and professional networks. Newly told history taken from rich business, epistolary and photographic archives, these essays examine the art market, within a broader and more complex context. In doing so, they offer new areas of inquiry for mapping of works of art as they were exchanged over time and place.
Lynn Catterson, PhD, 2002 (Columbia University). Since 2010, she has been working on the Florentine dealer, Stefano Bardini, the late nineteenth centrury art market, its social network and various constituent topics such as contamination of the canon and the scholarly literature.
"This generously illustrated and well-presented set of essays significantly enriches our picture of the sale and interpretation of Italian Renaissance pictures and decorative art in the years around 1900."
The Society for the History of Collecting
"Covering both well- and less-known collectors, items, and collections, the volume comprises 14 well-researched and richly illustrated essays, each of which delves deeply into its topic."
K. E. Staab,
List of Illustrations Notes on Contributors
Introduction Lynn Catterson
Part 1: Forming a Collection
Wilhelm von Bode and Prince Johann II von Liechtenstein: the Private Correspondence 1882–1925 Michaela Watrelot
Florence and Paris: the Italian Acquisitions of Édouard and Nélie Jacquemart-André and Their Relationship with Stefano Bardini Giancarla Cilmi
Rome, London and Boston: Colnaghi, Bernard Berenson and the Sale of Botticelli’s Madonna of the Eucharist to Isabella Stewart Gardner Jeremy Howard
Part 2: Transacting an Entire Collection
Art for Sale and Display: German Acquisitions from the Spitzer Collection “Sale of the Century” Paola Cordera
The Barberini Tapestries: Charles Mather Ffoulke and the Dealer’s Network Denise M. Budd
Part 3: Dealers for Dealers
Between Florence and Berlin: the International Art Market in Post-unification Rome Virginia Napoleone
Customer, Counsel, Associate, “Trustee”: Charles Fairfax Murray and Thomas Agnew and Sons (1886–1918) Paul Tucker
The Interesting Case of Alessandro Contini Bonacossi (1878–1955) and Wilhelm von Bode (1849–1929) Fulvia Zaninelli
Part 4: (No Longer) Obscure Agents
Postcards from Castiglion Fiorentino: the Correspondence between Napoleone Aglietti and Stefano Bardini Jeremy Boudreau
Two Lives in the Picture Trade: Bernard Berenson, Harold Woodbury Parsons & the Italian Art Market, 1917–1919 Eliot W. Rowlands
Jane M. Healey Jackson, a Sculptor’s Wife Abroad Jacqueline Marie Musacchio
Part 5: Issues of Attribution
A Network among Scholars: Allan Marquand, Sir John Charles Robinson, Wilhelm Bode, and Wilhelm Reinhold Valentiner Kerri A. Pfister
Donatello Re-discovered? A Name for the Author of the Berlin Flagellation and the Hildburgh Relief Vasily Rastorguev
Art Market, Social Network and Contamination: Bardini, Bode and the Madonna Pazzi Puzzle Lynn Catterson
Of immediate interest for anyone studying or teaching art market related material, eg, history of collecting, history of display, history of museums and for those active in the art market. It is also of interest for those teaching or studying Italian Renaissance art and the history of Florence.