The condemnation of memory inexorably altered the visual landscape of imperial Rome. Representations of 'bad' emperors, such as Caligula, Nero, Domitian, Commodus, or Elagabalus were routinely reconfigured into likenesses of victorious successors or revered predecessors. Alternatively, portraits could be physically attacked and mutilated or even executed in effigy. From the late first century B.C. until the fourth century A.D., the recycling and destruction of images of emperors, empresses, and other members of the imperial family occurred on a vast scale and often marked periods of violent political transition. This volume catalogues and interprets the sculptural, glyptic, numismatic and epigraphic evidence for
damnatio memoriae and ultimately reveals its praxis to be at the core of Roman cultural identity.
Eric R. Varner, Ph.D. (1993) in Classics, Yale University is Assistant Professor of Art History and Classics, Emory University. He has published on Roman portraits, including the catalogue
From Caligula to Constantine: Tyranny and Transformation in Roman Imperial Portraiture (Atlanta, 2000).
[This work] combines the best of 'old school' portrait studies (typologies) with a critical outlook and due consideration given to the significance of these images as historical documents." Andreas Kropp in
AWE 8 (2009)
All those interested in Roman history, Roman sculpture, condemned emperors, and concepts of memory, as well as art historians, historians, and classicists.